The TVD Storefront

Graded on a Curve:
New Math, Die Trying and Other Hot Sounds (1979–1983)

Formed in Rochester in 1976, New Math was one of upstate New York’s first punk bands, though as compiled on Die Trying & Other Hot Sounds (1979–1983), which is available on LP, CD, and digital July 21 through the Chapel Hill-based label Propeller Sound Recordings, their approach is more aptly assessed as an energetic blend of power pop and new wave. It’s a familiar combination but a welcome one as the 11-track set has by and large withstood the test of time with panache.

Like a lot of folks I’m guessing, I first encountered the name New Math in relation to Jet Black Berries, the psych-tinged goth-horror outfit that recorded three albums for Enigma in the 1980s, and also contributed “Love Under Will” to the soundtrack to Dan O’Bannon’s 1985 zombie horror favorite Return of the Living Dead, where the band rubbed shoulders with such major names as The Cramps, 45 Grave, The Flesh Eaters, The Damned, and Roky Erickson.

Before there was Jet Black Berries, there was New Math, with both bands consisting of vocalist Kevin Patrick, bassist-songwriter Gary Trainer, guitarist Chris Yockel, keyboardist Mark Schwarz, and drummer Roy Stein. Along with a handful of singles (of which more below), New Math released the 12-inch EP “They Walk Among You” on San Francisco’s 415 Records in the USA and CBS in the UK.

In 1984, New Math issued Gardens on Brain Eater, a transitional album of sorts (as it includes a version of “Love Under Will”), but let’s rein it in; as corralled on Die Trying & Other Hot Sounds, it’s the early and unreleased stuff we’re concerned with here. Initially, power pop was a major component in their repertoire as heard straightaway on the album through “Die Trying,” a spirited galloping riff-laden mover that lingers in the neighborhood of classic status.

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A morning mix of news for the vinyl inclined

In rotation: 7/19/23

Kutztown, PA | 30 Years In, Young Ones Records (PA) Keeps Its Large Floor Loaded & Stocked: Deep in the heart of Pennsylvania, an area of the state mostly reserved for college football, there is a record shop that has morphed into a cultural epicenter for the area. Young Ones Records has withstood the test of time for over three decades and continues to expand and grow. Bursting with a wide variety of records, CDs, Cassettes, and just about any other form of media you can think of, Young Ones has established itself as a must-visit for frantic collectors and newcomers all the same. Their store contains mountains of gems to add to your collection with a team of enthusiastic music-lovers to point you in the right direction. Glide had the pleasure of speaking with Mark Goodwin, a manager at Young Ones Records. We discussed the history of the shop, its massive catalog, and much more.

Columbus, GA | Columbus man to open only record shop in the city so people can ‘experience’ music: One day in Spring of 2021, Brian Cook was driving home with an obscene amount of vinyl records from an Opelika record shop. A man in his 40’s, Cook has lived through the progression of being able to listen to music from records and cassette tapes to CDs and then digital music. He’s bought the same albums multiple times in different media as technology changed over the years. The reason it’s important to listen to and appreciate records for what they are, Cook said, is because they aren’t just a way to listen to music. TOP VIDEOS “It’s an entire experience,” he said. “That’s the beauty of it. You have to actually pay attention to what you’re doing. And I think a lot of young people these days, and people my age, appreciate that experience.”

Taylor Swift becomes the female artist with the most No.1 albums in history: Swift is also the first living artist since 1966 to have four albums in the top 10 at the same time. Taylor Swift’s Speak Now (Taylor’s Version) has broken multiple records, and now we don’t mean corrupted vinyl playing ’90s British club tracks. The re-recorded version of Swift’s 2010 album arrived earlier this month and has debuted at No.1 on the Billboard 200 albums chart. As Billboard reports, this achievement now makes Swift the first female artist in history to earn 12 chart-topping albums. She previously tied with former record-holder Barbra Streisand on 11 following the release of Midnights last year. In addition to that impressive record, Swift has also become the first living artist to have four albums in the top 10 at the same time since 1966. On this week’s Billboard 200 chart Speak Now (Taylor’s Version) is joined by Folklore, Lover, Midnights. The last living musician to have four albums in the top 10 at the same time was trumpet player Herb Alpert.

Washington, DC | Vinyl fever in US shows no signs of abating: …One of Stein’s favorite places for vinyl browsing is Som Records, a small music store hidden away on 14th Street amid restaurants and nightspots in downtown Washington DC. Its owner, Neal Becton, who had worked for a decade as a reporter for the Washington Post, founded that shop 15 years ago. Becton told Efe he saw a boost in customers shortly before the onset of the pandemic in the US and that the boom has not stopped since. According to the Luminate study, only around half of vinyl consumers have a record player at home, and in fact many of the buyers of these products are collectors. Becton, however, says he has seen his customer base expand. “When I first opened, it was mainly DJs and collectors (that) were my main two customers, pretty much. I didn’t get many young people unless they were in the club music (scene) or something. Now I get high-school children, 18-year-olds, families shopping together,” he said.

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TVD Cleveland

TVD Live Shots:
Jenny Lewis at the
House of Blues, 7/13

Not long after her stint opening for Harry Styles, everyone’s favorite psychedelic country songstress, Jenny Lewis, is back on the road with a new album and a headliner slot.

The album—and tour—entitled Joy’All is doing just that: giving folks immense joy in both sound and sight. And on the day of her Cleveland stop at the House of Blues, she received some joyful news herself—her single, “Psychos,” hit #1 on the Adult Alternative Airplay chart. A nice honor for a musician who’s delivered several songs throughout the years deservant of a #1 slot.

As for the concert itself, it was everything I’ve come to expect from a Jenny Lewis show: a showcase of her beautiful voice and lyrical transparency; a top tier backing band; lots of sparkles; some cherry chapstick; a phone call from a dog; balloons with said dog’s face on them (cheers, Bobby Rhubarb); and some hearty belly laughs. Hop on the Joy train, y’all!

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The TVD Storefront

TVD Radar: Philadelphia Record Labels: 45 RPM Discography from Dave Louis available now

VIA PRESS RELEASE | Dave Louis, historian, label owner and collector recently self-published Philadelphia Record Labels: 45 RPM Discography—one of the most comprehensive collections of small and independent 45 RPM labels coming out of one of the most important music cities in the world.

Philadelphia has been long known for its amazing studios (ie: Virtue, Sigma, Impact) and its proximity to both FrankFord / Wayne (later known as Masterworks) mastering house and Disc Makers pressing plant. All these elements combined created a fertile environment throughout the ’50s, ’60s and ’70s (and ’80s) producing the perfect situation for small independent labels. Producer run, studio owner lead and even artist owned labels flourished in Philadelphia during these years. Until now books have been published documenting this amazing scene, however in this book you will find the most comprehensive lists of small indy’s complete discographies.

Compiled by master collector Dave Louis, who has been for over 40 years tracking down artist, label owners, and the rarest of the rare 45 RPM recordings all the while taking notes, scanning labels and finding links between publishing companies, writers and arrangers, studio marks and other matrix information. Dave has been able to compile the most complete lists of labels like Del-Val, Crossfire, Virtue to date. You will not be disappointed.

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TVD UK

UK Artist of the Week: Izzie Auty-Dawe

Folk singer-songwriter Izzie Auty-Dawe continues on her journey of poignant storytelling. Her new single “Front Row Seats” manages to hit an emotional note many of us can relate to.

The narrative of the single tells us a story of wanting to help someone who doesn’t want to be helped. With haunting vocals and guitar, Izzie has now been joined by a string section and a choir. Of the single, she says, “In a nutshell, this single is about a friend that I am no longer friends with, which is incredibly sad. I watched her deteriorate before my eyes, and there was nothing I could do. I had the imagery of me watching at the front row of a theatre while they were crumbling down in-front of me.”

Now based in Bristol, Exeter born Izzie Auty-Dawe has previously featured as BBC Radio Bristol’s “House Band of the Week” and has received praise from BBC Devon, Somerset, and Cornwall as well as BBC Introducing in the South West. With big plans and using her experiences in the industry to continue to shape her growth, Izzie is going places and is one to keep your eye on. Izzie sees her music as a personal diary on her journey through life, and is taking us on that journey with her.

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The TVD Storefront

Graded on a Curve: Johnny’s Uncalled Four, The Lost Album

As a mastering technician, John Golden’s name is on thousands of records, many of them classics. Getting his start in the late ’60s, he’s particularly noted for his impact on punk, underground and indie rock. If you own records released by SST, Sub Pop, K, Touch and Go, and Merge, there’s a good chance Golden is listed in the credits. But prior to that, as a youngster, Golden was guitarist-frontman for the Columbiana, OH outfit Johnny’s Uncalled Four. They cut a pair of singles in 1964-’65, but the Vietnam draft broke them up and their LP went unreleased…until July 21 via Daptone subsidiary Wick. If a modest venture, The Lost Album still manages to deliver the uncut essence of mid-’60s teen R&R in the USA.

Succinctly, The Lost Album was found when Gabriel Roth of Daptone Records overheard a playback of the tapes while attending a session at Golden Mastering. Impressed, Roth and Wick Records founder Mikey Post culled two tracks for a single in 2000 that went down so smashingly it spurred the decision to release a 14-track full-length.

The Lost Album is far from a groundbreaking one, but more interestingly, it is a document of a fully functioning band that played 208 shows from February 1964 through October 1965, with one of them as openers for Lou Christie and Tommy Roe. The Uncalled Four’s sound is described in the PR and liners as post-Elvis/pre-Brit Invasion R&R, and that’s largely but not entirely accurate, as the set features a solid cover of “Glad All Over” by the Dave Clark Five.

But the point is well-taken, as there are no bold Beatles moves amongst the selections here, with “Glad All Over” definitely a geographical exception in the scheme of things. A sizable chunk of the record is instead devoted to Ventures-like surf and post-Eddy twang instrumentals, with opener “Movin’ Groovin’” drawing on both sides of the equation. Later in the sequence, a non-vocal take of “The House of the Rising Sun” emerges, assumedly inspired by The Ventures’ version of The Animals’ smash hit. But who knows, maybe Golden and his mates were fans of Dylan’s debut LP.

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A morning mix of news for the vinyl inclined

In rotation: 7/18/23

New Bedford, CT | Embrace the vinyl record comeback at these Southcoast shops: Vinyl records and albums are making a comeback and I am here for it. My parents were big record collectors when I was growing up in the 1980s. We had a full turntable setup and bookshelves full of albums, but by the 1990s compact discs took over and my parents eventually sold their record collection, replacing their favorites with CDs. Eventually, we graduated to MP3 players and iPods to where we are today: streaming services such as Spotify where all our favorite songs are right in the palms of our hands. About 10 years ago, I started to collect vinyl records again. I was at a yard sale and found an old Billy Joel album and took it home for 25 cents. I didn’t have a record player to play it, but it didn’t stop me from buying the nostalgic record and eventually, many more. Five years ago, I purchased a new, portable record player so I could play my collection but the sound was terrible. I’ve upgraded since then and now not only am I listening to records, my kids are, too.

San Francisco, CA | A New Record Store is Bringing Latin Vinyl Home to the Mission District: With its bold block letters above 24th Street, the Discolandia sign is an icon of the Mission District. But Discolandia, a Latin-focused record store, closed over a decade ago. Since then, there’s been no record store in the neighborhood that caters specifically to the Mission’s Latinx population. That finally changes this week with the July 15 opening of Discodelic, which specializes in vinyl from Latin American and Caribbean countries, offering Latin soul, cumbia, salsa, boleros, Cuban music, reggae and more. The store, a physical home for the record label of the same name, will operate at 3174 24th St., in a space where two vinyl record stores, Pyramid Records and Explorist International, once stood years ago. …Discodelic founders Ruben “Ruffy” Rangel, 43, and Maria Jose “Majoo” Salguero, 30, met through MySpace 13 years ago, bonding over their shared love of ska, rocksteady and reggae. Their conversations soon grew into travel plans.

Farmington, MI | Local Record Store Spotlight: Dearborn Music In Farmington: As you may know, Dearborn Music sponsors my Vinyl Frontier series, so I thought I’d start my Local Record Store Spotlight at their location in Farmington. As the name suggests, they also have a location in Dearborn. Around since 1956, Dearborn Music really has something for any music fan. Metal, Rock, Alternative, Pop, Country, Jazz, everything! As you can see from the pictures, it’s way more than just vinyl. They’ve got stickers, games shirts, and lots more. Go check them out for any music needs, or gifts you might be looking for.

Salt Lake, UT | Diabolical Records: 10 years of being a ‘lifeblood’ for Salt Lake’s music community: …Adam Tye and Alana Boscan, the husband-and-wife owners of Diabolical, started their record shop in a shipping container at Granary Row, a now-defunct seasonal pop-up festival that used old shipping containers to create small retail stores. Six months later, they were able to move into their brick-and-mortar location on Edison Street, supported by a small loan and Boscan’s job with the state. “When we first opened, there was literally just a table with three spray-painted blue cardboard boxes with records in them, this little desk at the front and me in a chair,” Tye said. “I’m sure people thought we were selling drugs.” It took several years for Diabolical to become successful, but Tye said making mix CDs for friends and recommending new music to people is something he’s enjoyed long before he got paid for it. “That’s always been the biggest part of it — there’s a bunch of cool music out there, and somebody isn’t going to play it for you, so I’ll play it for you,” he said. “It’s still my favorite thing to do.”

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The TVD Storefront

TVD Radar: Pushed Beyond All Reasonable Limits: The Music Photography of Brian D. Garrity in stores 9/4

VIA PRESS RELEASE | DiWulf Publishing House is proud to present the first book from photographer Brian D. Garrity. An intense collection of vivid concert and portrait photography, Pushed Beyond All Reasonable Limits: The Music Photography of Brian D. Garrity showcases decades of Brian’s work, which has appeared in such publications as Rolling Stone, Spin, and Alternative Press.

It harkens back to a time when photojournalists often found themselves embedded with an artist during a tour. Indeed, many of Brian’s shots are candid, intimate portraits, while others fully translate the intensity of the live setting. From sweaty basement shows with Husker Du to the tours and festivals like Lollapalooza, Ozzfest, and the Vans Warped Tour that dominated the ‘90s, Brian’s camera captured a time and a method that is in danger of being lost to history.

The roster of artists Brian shot over the years is extensive and impressive. Pushed contains incredible shots of Nirvana. Radiohead. Marilyn Manson. Garbage. Rancid. Offspring. Rollins. Luscious Jackson. Jesus Lizard. Ice Cube. Lunachicks. The Cows. Soul Asylum. Limp Bizkit. The Breeders. Alien Sex Fiend. My Bloody Valentine. Bad Brains. My Life With Thrill Kill Cult. Deftones. Linkin Park. PJ Harvey. The John Spencer Blues Explosion. Afghan Whigs. The Dandy Warhols. The Melvins. Mudhoney. Superchunk. Robyn Hitchcock. Ride. Pigface. Girls Against Boys. Good Charlotte. Goldy. Butthole Surfers. Naked Raygun. Lush. Beck. Red Hot Chili Peppers. Sonic Youth. So many groundbreaking artists that went on to leave legacies that defined an era, with many of the photos also capturing storied venues like the famed 7th Street Entry.

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TVD Washington, DC

National Independent Venue Association looks to the future at NIVA ‘23

From July 10–12, the National Independent Venue Association (NIVA) presented NIVA ‘23, the leading conference for independent music and comedy venues, festivals, and the promotion industry. Members gathered in Washington, DC across venues around the city to meet and discuss topics of interest to independent venues, including industry diversity, mental health, safety, insurance, the economic impact of live entertainment, and the relationship between live entertainment and policy issues. On July 12, NIVA members also engaged with partners on Capitol Hill on issues relevant to the live entertainment industry during the first-ever Congressional fly-in on Capitol Hill before closing out the conference at a closing night party at the Black Cat.

NIVA is a relatively new organization, forming in April 2020, only three weeks into the pandemic shutdown. The immediate goal was to help save independent venues crippled by the effects of the global pandemic. It now represents independent music and comedy venues, festivals, performing arts centers, and promoters throughout the US. NIVA led efforts leading to the passage of the Save Our Stages Act, which secured $16 billion in federal relief funds, the largest amount allocated to the arts in U.S. history.

In 2023, NIVA’s formal mission is to “preserve and nurture the ecosystem of independent live venues, promoters, and festivals throughout the United States.” The first conference was held in Cleveland, Ohio last year. While about 500 attendees gathered in Cleveland, almost twice that number was expected in DC.

The festivities began Sunday night, at an opening night party at DC’s famed 9:30 Club and neighboring Atlantis, the city’s newest music venue, built as a replica of the original 9:30 Club on F Street in downtown DC. Attendees enjoyed food and drink while brass from See Tickets (the evening’s sponsor) and NIVA gave brief, informal opening remarks to the still-gathering crowd.

While eating, drinking, and networking went on at the 9:30 Club, Rudy Love the & the Encore and Elise Trouw were the opening night performers next door at The Atlantis, Washington, DC’s newest venue. Rudy Love & the Encore, hailing from Wichita, Kansas, are a collective made up band leader Love’s friends and family. For about an hour they energized the intimate crowd with their blend of R&B and soul.

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The TVD Storefront

Graded on a Curve:
Circle Jerks,
Wild in the Streets

Boy, did these LA hardcore legends become unfunny fast. And boy, did they run out of good songs in less time than a Minutemen song. They released the classic Group Sex—with its fourteen furious blasts of loud and fast in just over fifteen minutes—in 1980, and after that? They foisted this pair of leper-worn Doc Martens on us.

And truth be told the best songs on Group Sex were ripped off—either by lead vocalist Keith Morris from his previous band Black Flag or by guitarist Greg Hetson from his previous band Red Cross. Which is to say that the Circle Jerks were never very funny and wrote, at best, a small few number of good songs on their own, none of which you’ll find on 1982’s Wild in the Streets. Talk about your great rock’n’roll swindles.

The punk-metal hybrids on Wild in the Streets pack a sonic punch, but you’ll search in vain for a timeless song—the only numbers I’ve ever found listenable are “86’d (Good and Gone)” and the snotty cover of Jackie DeShannon’s “Put a Little Love in Your Heart.” And the DeShannon cover pales in comparison to the tongue-in-check medley “Golden Shower of Hits (Jerks on 45)” from Wild in the Streets’ 1983 follow-up Golden Shower of Hits, which in the Circle Jerks’ defense actually includes a few good songs (“In Your Eyes,” “When the Shit Hits the Fan,” “Coup d’Etat.”) Wild in the Streets declines to do us the same favor.

Hardcore in its pure form didn’t last much longer than the running time of Group Sex, and you could count the number of truly great bands on two hands, or one if you’re me. Remember Youth Brigade? Reagan Youth? Circle One? I don’t. But the best bands on the scene either quickly wearied of the constraints of the hardcore form and branched out in truly innovative directions (think the Meat Puppets) or never bought into hardcore’s reductionist aesthetic to begin with (think No Trend and Flipper).

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A morning mix of news for the vinyl inclined

In rotation: 7/17/23

Keller, TX | County Line Records moves to Old Town Keller: County Line Records relocated its store from Decatur to 148 S. Elm St., Keller, on June 24. The store, which sells new and used records, T-shirts, posters and other music accessories, had been open for a year in Decatur before owner Rodney Holder decided to move. “We needed a larger footprint than what we had in Decatur,” Holder said. Upon the urging of a friend who had a business in Keller, Holder and his family drove around to check things out. They stumbled upon their new location by accident—Holder took a wrong turn when he was driving around Old Town Keller—but he said it turned out to be the perfect location. “We decided to come where there’s a lot more folks and offer the same great service and kind of down-home vibe we had [in Decatur] here in Keller,” Holder said. Holder added going into a record store is really about the experience. …“We provide that experience in a family atmosphere. Grandparents can come in with their 14-year-old grandchild, and they all can find something, so it really does connect everybody.”

Canberra, AU | Records shops are not so RARE in Canberra these days: Is the Canberra market big enough for another record store? Of course it is. Is there a war of records shops in town? Of course there is. But not according to Tom Stockman, who has just opened Canberra’s newest record store, conveniently located in the heart of Old Kingston. He says there is always room for another shop because everyone loves music. “Of course there’s no records war,” he laughs. “No, not at all. There’s room for everybody. Absolutely.” RARE Records has opened in the Cusack Centre right on the corner of Eyre Street and Highgate Lane, Kingston. The store has its official opening launch this Saturday (15 July) afternoon with drinks, nibbles and maybe a few cheap records up for grabs. It’s a tiny shop full of mostly secondhand LPs with an added small selection of CDs, T-shirts, music books and memorabilia. RARE stands for Retro and Record Emporium and although it’s just opened it has a little bit of history.

Wheeling, WV | Nail City Record Hosts Early Listening Parties: Nail City Record is hosting official early listening events for “Barbie The Album” and for the upcoming new album from Greta Van Fleet. Taking place at 6 p.m. on Tuesday, July 18, attendees will have the exclusive opportunity to experience “Barbie The Album” before its worldwide release. This musical companion accompanies the highly anticipated event film “Barbie” featuring Margot Robbie and Ryan Gosling in the iconic roles of Barbie and Ken. Alongside the impressive musical talent, the listening party will offer exclusive “Barbie The Album” branded giveaways, available while supplies last. Attendees will also have the chance to pre-order the limited edition CD version, featuring an exclusive album cover. This CD will be the only physical release to include the track “Barbie Dreams” by K-Pop artist FIFTY FIFTY (featuring Kaliii). Additionally, fans can pre-order other album formats, including the hot pink vinyl edition, standard CD edition and retro-cool cassette.

Minneapolis, MN | Meet the Minneapolis salon owner helping make the music scene a cut above: Jon Clifford’s HiFi Hair and Records by Loring Park has rock-star clients and “the coolest waiting room in the world.” When he isn’t mistaken for Tommy Stinson of the Replacements—it happened several times in one night at last month’s Outlaw Music Fest—Jon Clifford has become one of the most recognized guys in the Twin Cities music scene. He doesn’t play music, though. Instead, the 58-year-old south Minneapolis native is in the business of trying to make other people stand out like rock stars. “I’m a goofy, skinny hairdresser who has a lot of really cool friends and clients,” is how he humbly put it. Through his HiFi Hair and Records near Loring Park in downtown Minneapolis — hair salon + record shop = genius — Clifford has become a beloved booster, cheerleader and benefactor within the local music scene. He’s sort of the Minneapolis equivalent of Los Angeles radio jockey Rodney Bingenheimer, a friendly fixture and superfan with a haircut as cool as his taste in music.

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TVD Los Angeles

TVD’s The Idelic Hour with Jon Sidel

Greetings from Laurel Canyon!

Well they’re sure keen on dancin’ / Those Hollywood kids / Those Hollywood kids got it made / When they act, big doors open / Those Hollywood kids / Those Hollywood kids got it made / So let’s party, Dustin Hoffman / Those Hollywood kids / Those Hollywood kids got it made / Oh how the sun sets on my Boulevard / But leaves quite a shadow to fill

Oh how the sun sets on my Boulevard / But leaves such a shadow to fill

So mom has been here over a week. It’s been wonderful to have her, and to also have my daughter Zoe around. At the same time, having family with you is like looking in the mirror. Even when you like what you see, at a certain point it can get tiresome.

Last night mom and I had dinner on PCH with Zoe on the way to dropping her off in Malibu. As it turns out, warm nights on the roads in Malibu are wild. There was a huge car crash and we were diverted way up into the Malibu hills.

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TVD UK

TVD Live Shots: Generation Sex at
the O2 Apollo Manchester, 7/12

When two seminal bands converge on one stage, it creates a moment etched into rock lore, a bucket-list-worthy event for any self-respecting punk music enthusiast. Enter Generation Sex—a potent blend of punk rock titans, uniting the snarling vocal prowess of Billy Idol, the impeccable rhythm of Paul Cook, the blistering guitar licks of Steve Jones, and the ultra-cool bass grooves of Tony James.

I had the opportunity to catch them live at the Dog Day Afternoon show in London, a daytime festival gig they shared with the likes of Iggy Pop and Blondie. Yet, I consciously decided against it. Outdoor day gigs, with their potential for compromised sound quality, flat photography, and the sheer incongruity of enjoying legendary punk under a blazing sun, are far from my ideal concert experience.

Hence, I decided to place my bet on a different event entirely. After reading several polarizing reviews about Generation Sex’s festival performances, I was convinced that they deserved to be seen in a proper theatre setting which could offer the intensity that their music demanded. This led me to the Manchester Apollo, where they were slated to perform on the final night of their UK tour. It was a bit of a gamble, but it paid off grandly.

On stage, Generation Sex was a force to be reckoned with. They looked and sounded superb, and their chemistry was palpable, indicating that they were more than just a makeshift supergroup. They synergized, fed off each other’s energy, and absolutely fucking smashed it.

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The TVD Storefront

TVD Radar: Mixtape documentary premiering on Paramount+, 8/1

VIA PRESS RELEASE | Paramount+ today announced that Mixtape, a new documentary exploring how the creation of mixtapes launched hip hop into mainstream culture, will premiere exclusively on the service Tuesday, August 1 in the US and Canada and Wednesday, August 2 in the UK, Australia, Latin America, and Brazil, with further international markets to follow later in the year.

Mixtape is the story of hip hop refusing to take no for an answer. Before radio play, the internet, and social media, there were mixtapes. DJs were tastemakers, trendsetters, and creators of the sound that became the biggest musical genre on the planet. The importance of mixtapes goes well beyond the tapes themselves. Mixtapes were a form of currency and a signifier that someone was “in the know” and had their ear to the streets. The culture was too strong to be stopped, and the artists were too talented to be ignored—so they turned the sub-culture into the mainstream, and made hip hop what it is today.

“Hip-Hop is 50 years old and I can’t think of a better way to celebrate its journey and contextualize its evolution than through the story of the mixtape. Every voice in this film played a critical role, especially the DJs who, as KRS-ONE says beautifully in the film, risked everything to ‘bring us the music’,” said Omar Acosta, director of Mixtape. Producer Tony Touch added “it’s an honor to be involved in this film and to help tell the real story of the mixtape, its origins, its impact, and its on-going relevance for the culture.”

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The TVD Storefront

TVD Radar: The Podcast with Evan Toth, Episode 114: Darren Burgos

Artificial Intelligence is a hot button topic of the day. Various industries use AI in health, marketing, photography such as AI photo tool, etc. Everyone wonders where the A.I. rabbit hole will lead us, and one of those areas of conversation involves music and media production. For years now, computers have been helping musicians to create their music and also to improve upon whatever it is that they’ve made. From autotune to sampled electronic versions of analog sounds, the digital recording landscape has gone too far to completely turn its back on music production in the 21st century. But, how can this relationship grow without us humans relying too much upon the tools available to us in our digital sheds?

Darren Burgos is doing his part to explore and demonstrate the synergistic connection between digital production and us old fashioned human beings. His recently released album, Connections focuses on electronic pop composition and synthesizers, but his work also ponders the complicated human relationships that live amongst the 0s and 1s. In addition to his work as a musician, Darren is also considered one of the world’s leading experts in Apple’s Logic Pro digital production software; because of this, Darren has taught thousands of new and established musicians how to produce music in the digital realm.

Darren and I discuss his latest release, but also the sometimes perplexing relationship that human beings have with technology; how even with all of our Luddite tendencies, humans have always had an innate and organic need to create and connect with technology. How this relates to music has yet to be fully envisioned, but Darren might be one of the more qualified folks on the planet to imagine what that future looks like. The digital music of the future might sound good, but will it sound human?

Evan Toth is a songwriter, professional musician, educator, radio host, avid record collector, and hi-fi aficionado. Toth hosts and produces The Evan Toth Show and TVD Radar on WFDU, 89.1 FM. Follow him at the usual social media places and visit his website.

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  • SUPPORTING YOUR LOCAL INDIE SHOPS SINCE 2007


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