A morning mix of news for the vinyl inclined

In rotation: 6/30/22

Putney, VT | A new home for old vinyl: Retired teacher opens record store in Putney. A retired teacher has turned his love of music into a new business in downtown Putney. Next Chapter Records, which offers new and used vinyl records, is now open at 120 Main St. in the former home of Antidote Books, which moved to Brattleboro earlier this year. The store is run by Mitch Harrison, a 56-year-old native of northern New Jersey. For the past 20 years, he’s been teaching science to middle schoolers in Alstead, N.H. Now retired, Harrison said he has already seen a positive response from a couple of “soft openings” on Saturdays earlier this month. In his youth, he said, he frequented record shops with friends, and hosted a radio show during his days at Rutgers University. Nowadays, he still goes to live music events and festivals. His taste lies with music that “blurs the line,” whose exact genre is difficult to describe.

Whitefish, MT | New on the block: Slow Burn Records opens on Spokane Ave: For several years, Mike and Dyan Colby often traveled from Texas to spend time in Whitefish and enjoy the rhythm of mountain living. Now they own the only record store in town, Slow Burn Records. The store’s Director of Operations, Madde Borg, explained that when the Colbys were in town, Dyan would stop into Spanky and Gus’s — the funky record store that was previously on Spokane Avenue next to Jersey Boys Pizza. She enjoyed bringing her kids, telling them about music and sharing the thrill of looking for unique finds. When she learned Spanky was closing her store, Dyan approached Mike with the idea of buying it; they purchased the store at the beginning of 2021 and it opened this April. Currently, the store is full of Spanky’s collection, about 3,000 albums, but Borg says the plan is to curate their own collection to best suit the desires of the community.

Greenfield, WI | The Exclusive Company Greenfield Location To Become Volta Records: The Exclusive Company is thrilled to announce our Greenfield location will remain a “Locally Owned Independent Record Store”. On July 2, the store name will change to Volta Records. The location, staff, hours, great service, and selection will stay the same. For the past 30 years at this location, The Exclusive Company has done our best to provide the South Side and all of Milwaukee with a record store you can be proud of and call your own. We are certain that Volta Records will carry on with the same values and dedication to music that you have come to enjoy and expect. The Exclusive Company’s final day of business at the Greenfield location will be June 29. The store will be closed on June 30 and July 1 as part of the transition. On Saturday, July 2 Volta Records will open for business. To all of our loyal customers, we say thank you for your support. We couldn’t have done it without you.

Chicago, IL | Pravda Records goes the distance: Beginning with Napster and continuing through Spotify, the nemeses of independent record labels have been legion over the past few decades. The deaths of brick-and-mortar retail chains, including Tower and Borders, have made releasing new music even more of an uphill climb. Yet Pravda Records has weathered it all and continues to thrive. The Chicago label—which toasts its 38th year with a two-day festival, June 24 and 25, at Sketchbook Brewing in Skokie—has survived shifting public tastes, the rise of online piracy, several changes in dominant format, and the collapse of music sales in physical media. Even in the years since COVID-19 hit the U.S. in early 2020, the label has prospered, releasing a string of albums from legacy Chicago artists, among them Smoking Popes front man Josh Caterer, rock band the Handcuffs, retro-pop quintet the Flat Five, power-pop band the Hushdrops, singer-songwriter Steve Dawson, and power trio Sunshine Boys. Those records have all been modest hits—Goodman says each sold more than 1,000 copies. The label’s total sales increased about 50%.

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TVD San Francisco

TVD Live Shots: Tenacious D and
Puddles Pity Party at
the Warfield, 6/24

In the spirit of “the show must go on,” Tenacious D miraculously orchestrated a relocation of their Palo Alto show as a local wildfire impacted electricity to the Frost Amphitheater. With short notice, The D split their one Bay Area show into a Friday show in San Francisco at the Warfield and a Saturday show at the Mountain Winery in Saratoga, each serving ticket holders on a first come basis. 

With doors opening at the Warfield at 6PM for an 8PM show, whether this would prove to be an epic save or colossal shitshow was no doubt top of mind for attendees trying to make sense of the last-minute change of plans, but by 7PM the Warfield was packed to the rafters and outside there was a nervous mass of folks on the sidewalk looking hopeful that somehow they could get squeezed in.

The switcheroo most definitely worked in the favor of opener Puddles Pity Party who took the stage to an absolutely packed house, the better part of which had been spending the last hour or two availing themselves of the Warfield bar (notably killing a few taps before the Puddles set even ended). With a few cocktails down, the San Francisco crowd was clearly stoked for 45 minutes of sad clown cover songs which included some elegant mashups of Metallica/Celine Dion and The Who/Johnny Cash (twice!).

Those that managed to upgrade their GA lawn ticket at the Frost Amphitheater for a spot on the rail were chomping at the bit with signs and official Tenacious D c*m rags in hand (“because everything else is just a c*m rag”). And when The Big D took the stage at 9:15 and launched into “JB JR RAP,” the Warfield completely lost its shit.

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The TVD Storefront

TVD Live Shots: Dierks Bentley, Travis Denning, and Elle King at Xfinity Center, 6/24

MANSFIELD, MA | Multi-Platinum singer/songwriter Dierks Bentley was feeling free and easy during his 2022 Beers on Me tour this past weekend, making a stop outside of Boston at Xfinity Center. Showcasing his enthusiastic stage presence, he entertained fans who sang along to more than 20 of his number one singles. “We’ve had a lot of hits over the years and we’re trying to pack them all in for ya’ll,” Bentley said after asking the large crowd for recommendations on where to get the best “chowdah.”

Bentley continues to be a dominant voice for the genre with over 6.4 billion streams of some of country lovers’ favorite hits, including his latest single, “Beers on Me.” During this song on Friday, show opener Travis Denning helped Bentley hand out beers to thirsty fans, tossing cold brews into tipped cowboy hats. Denning and his band hyped up the crowd early on. The performers were grinning the entire set, looking like they were enjoying every moment and working on “lightin’ that summer on up.”

Ashley McBride has been on the ticket, but for the next few shows Elle King jumped on the tour in her place. A great surprise for fans who had the opportunity to hear King’s hits “Drunk (And I Don’t Wanna Go Home)” and “Ex’s & Oh’s.” Her performance did not disappoint. With a husky, sweet sound, an on stage swagger and sly smile, King was unforgettable. Her addition to the tour was also a perfect opportunity for King and Bentley to sing their new song “Worth a Shot.”

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The TVD Storefront

TVD Radar: Jim James, Regions of Light and Sound of God (Deluxe Reissue) 2LP clear vinyl in stores 7/29

VIA PRESS RELEASE | Jim James has announced the release of Regions of Light and Sound of God (Deluxe Reissue), a newly expanded edition of his landmark 2013 debut solo album available via ATO Records on Friday, July 29.

Regions of Light and Sound of God (Deluxe Reissue) includes the original nine-song album along with a bonus LP featuring 12 rare B-sides, previously unreleased demos, and alternate takes, presented as a 2xLP on clear vinyl with an opaque purple “color-in-color” effect, with a deluxe tip-on gatefold jacket with rainbow foil, custom inner-sleeves, labels, and fold-out insert with new artwork. Pre-orders are available now.

“I have changed a lot since then, many times over,” says James. “So, in a lot of ways, it’s like a time machine, thinking about these songs, remembering what life was like back then. What I have gained and lost since. It makes me feel grateful for all of the gifts I have been given and for all of the love I have experienced in my life. It also makes me really miss some people, places, and things as well that I know I can never get back.

It’s wild how as we age, we become more and more aware, more and more conscious, at least it seems that way to me. For most of my life, I feel like I was just RUNNING…trying my best but not fully conscious or aware of what was really happening. So lost—for better or worse. Not that we ever will be fully aware of anything but when I look back a lot of the time, I get this feeling where I am just blown away by how much we change as life goes on, and it seems to me one of the supreme gifts of getting older is increased awareness.”

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The TVD Storefront

Graded on a Curve: Arthur Brown,
Long Long Road

Arthur Brown…the very mention of the name conjures images of demonic bellowing and flaming headgear (see above). For those unfamiliar, ‘twas he who belted out “Fire,” one of the wildest leftfield hits of the 1960s as leader of The Crazy World of Arthur Brown. Often called a one hit wonder, he subsequently achieved much of interest, with Long Long Road his latest, out now on vinyl (red or black), in a 2CD set + hardback book, and in a limited box set that includes 180 gram vinyl (orange marble) in a gatefold sleeve, the 2CD + book, a bonus 7-inch, a wall flag, four art prints, and a numbered certificate of authenticity signed by Brown, all via Prophecy Productions and Magnetic Eye Records.

Released in 1968 on Kit Lambert’s Track Records in the UK and Atlantic Records in North America, The Crazy World of Arthur Brown’s eponymous debut LP is one of the stranger records of its era, but even more twisted is its 1969 follow-up Strangelands, so bent in fact that it didn’t come out until 1988, courtesy of the Reckless label of the UK.

Not long after, Brown split to form Kingdom Come and released three albums, Galactic Zoo Dossier (1971), its title the inspiration for the excellent psychedelic zine by Plastic Crimewave (aka Steve Krakow), Kingdome Come (1972), and Journey (1973), all compiled by Esoteric Recordings with plenty of bonus stuff into a 2021 CD box set Eternal Messenger (An Anthology 1970-1973).

Note that after Brown left The Crazy World, the rest of his band became Rustic Hinge, a mostly instrumental outfit influenced by Captain Beefheart. Their terrific sole recording, with Brown singing on one track, was issued long posthumously in 1988 by Reckless as Replicas (and with most of it added to the CD releases of Strangelands).

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A morning mix of news for the vinyl inclined

In rotation: 6/29/22

More vinyl record plants opening soon. Is it enough to end backlog? The increased demand of vinyl has created quite the backlog recently. However, new vinyl presses are in the making! Will this be enough? Any artist with a desire to release a vinyl record faces the hard reality of a long wait time, with some quotes as long as 12 months out! Of course, that just doesn’t work when it comes to marketing your latest product, but the good news is that help is on the way. Some of them may be small, but there are a host of new vinyl pressing plants about to come on line, which should help ease the backlog. One plant is a new ground-up construction with 8 vinyl presses in Oxnard, California built by Mobile Fidelity Sound Lab and its parent company Music Direct. Unlike many plants that use older recycled machines, the presses are brand new and are manufactured by Nashville’s Record Pressing Machines. The plant is slated to come on line in 2023. Another is a 14,000 square foot facility in Denver built by VMP that’s slated to come on line in late 2022. No word on the number of presses it will house. New plants in the UK and Berlin will also help ease the back order strain.

Leeds, UK | Crash Records: The history of one of Leeds’ most loved music shops as it celebrates 35 years on the Headrow: As Crash Records celebrates its 35th year on the Headrow, shop owner Ian De-Whytell looks back at Crash’s journey over the years. For music lovers across Leeds, Crash Records has long been the hub to visit for the latest and greatest indie, rock and metal music. First opened on Woodhouse Lane in 1985, before relocating to the Headrow in 1987, the independent music retailer has seen the rise and fall of CDs, resurgence of vinyl and its fair share of groundbreaking gigs. And Ian De-Whytell, owner of Crash, has been there to witness nearly all of it. As a fan of the shop for many years, Ian’s dream came true in 1998 when an opportunity arose for him to purchase the much-loved store. “It just so happened that the owner was expanding into things and he was spreading himself a little bit thin,” explained Ian.

Honolulu, HI | Hawaii’s vinyl album sales are booming in numbers not seen in 30+ years: Everything old is new again, especially when it comes to music—and memories. Vinyl sales have grown rapidly for more than a decade on the mainland — as well as here in Hawaii. 2021 was the biggest year since 1986 for vinyl record sales, with more than a billion dollars worth of records sold last year. Living in a digital world, listeners want something tangible that they can connect to, like 16-year old Grayce Willing, who came to Hungry Ear in Kakaako from Kapolei to pick out her 16th birthday present… a vinyl Bruno Mars album. “I like vinyl because it’s there in my hands — I can see, I can feel it and I can hear it,” says Willing. “You hear the crackles, it gives that nostalgic feel…if you compare to a digital recording it sounds real different, it sounds more raw and it sounds more clear in a way,” says Keli’I Monsell-Talaro, another vinyl fan.

Casitas Springs, CA | Johnny Cash’s Former Home, Listed for $1.8M, Includes Original Turntable: The singer built the house, located in Ventura County, California, in 1961, complete with custom wood built-ins, a black commode and ceilings imbued with glitter. Back in 1961, Johnny Cash and his then-wife Vivian built a home tucked into the hills in Ventura County, California, overlooking the small town of Casitas Springs. The ranch-style 4,500-square-foot, five-bedroom residence was built to the singer’s specifications and included everything from a wall-mounted turntable to custom wood built-ins in the kitchen and living room. Now, the double-gabled house, which is set on nearly six acres not far from the Ojai Valley, has come to market for $1.795 million, listed by its current owner (who purchased the house in 2003 for $739,000, according to The Wall Street Journal). Many of Cash’s original details have been preserved, including painted ceilings imbued with glitter, a curved brick fireplace in the family room and an intercom system. The house also includes a wood-paneled studio where Cash wrote his songs.

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TVD Cleveland

TVD Live Shots:
Ben Folds at Cain
Park, 6/23

It’s not easy to command an audience when you’re the lone musician on stage, but Ben Folds is a seasoned pro.

Between his masterful piano playing, unmistakable voice, and humorous anecdotes, his presence can easily fill any venue. Clevelanders were treated to a beautiful night at Cain Park this past Thursday. It was the kind of night we dream about when we’re buried in our homes under piles of snow during the winter.

Folds provided a setlist spanning his 30+ year career that prompted singalongs, laughter, dancing, and tears. My heartstrings were especially tugged during his Ben Folds Five covers, as I was instantly transported back to jamming out to those records in high school. He plays Chautauqua Institution tonight before heading south to Nashville to play with their orchestra. Catch him on the road this summer!

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TVD Washington, DC

TVD Live Shots:
Flogging Molly, The Interrupters, Tiger Army, and The Skints
at the Anthem, 6/22

An enthusiastic group of ska/punk fans gathered on a stormy night in Washington, DC to catch co-headliners Flogging Molly and The Interrupters take on the Anthem. The evening got off to an early start—6:30PM—a necessity given the bill’s four bands.

Kicking off the festivities were The Skints. Hailing from London, this young reggae punk band expressed gratitude to the still small crowd for getting in early—something, they acknowledged, they wouldn’t be likely to do themselves. In a swift 30 minutes, The Skints introduced themselves to the crowd, me included. I’m more of a metalhead but was quickly impressed by the band’s energy and talent. Drummer Jamie Kyriakides and bassist Jonathan Doyle provided the tight rhythms, while guitarist Joshua Rudge engaged the crowd. The remarkable Marcia Richards acted as frontwoman while playing guitar, keyboards, and sax.

After a quick turnover, Tiger Army took the stage. The California psychobilly trio, who’ve been at it since the late 1990s, consists of singer-guitarist Nick 13, stand up bassist Djordje Stijepovic, and drummer Mike Fasano. In a quick set, they gained more than a few new fans, including me. Tiger Army’s brand of psychobilly has a classic but modern sound and doesn’t feel at all dated.

The Interrupters then took the stage like Energizer bunnies to an explosion of cheers from the audience who sang along from the very first note of “Take Back the Power.” Fronted by the charismatic vocalist Aimee Interrupter, the band also features twin brothers Jesse and Justin Bivona on drums and bass, respectively, Kevin Bivona on guitar, and Billy Kottage from Reel Big Fish on trombone and organ.

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The TVD Storefront

TVD Radar: OFF! catalog vinyl reissues in stores late July

VIA PRESS RELEASE | OFF!, the punk braintrust formed in 2010 by Keith Morris (ex-Black Flag, Circle Jerks) and Dimitri Coats (ex-Burning Brides), recently announced they’d signed to the meticulously curated indie powerhouse Fat Possum for both future releases and back catalog reissues.

Details of the latter have just surfaced, with vinyl reissues of the band’s acclaimed first three albums set for release in late July. Comprising deluxe colored vinyl editions of 2010’s First Four EPs (available for the first time ever on LP format, replete with gatefold sleeve), 2012’s OFF!, and 2014’s Wasted Years, the reissues are available for pre order now.

Recently OFF! unveiled their first new recording in seven years: a cover of Metallica’s “Holier Than Thou” that marked the debut of their powerful new rhythm section: bassist Autry Fulbright II (…And You Will Know Us By The Trail of Dead) and drummer Justin Brown (Thundercat, Herbie Hancock).

The injection of new energy into the band’s signature high-anxiety hardcore adds a potent swing to the trademark incendiary thrust. The band are currently working on a plethora of projects, including their first studio album with the new lineup and their long-gestating feature film Free LSD. More to come soon.

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The TVD Storefront

TVD Song & Video Premiere: Fiona Grey, “Crush”

PHOTOS: RICHIE DOWNS | “It’s my most anthemic love song,” Fiona Grey tells us of her new single and video “Crush” which we’re delighted to premiere at TVD today. It’s at turns both celebratory and reflective—with a chorus that’s certain to find a recurring home in your head.

“This song has always taken me back to the nostalgia of falling in love while on the road. I started dating my tour manager two weeks into a North American tour. Since then, we’ve traveled the world together, from backpacking Thailand to van-living through the Pacific northwest. The sense of adventure of falling in love is the core emotion I felt while writing it.”

“It all started in a ‘92 Chevy van. I was about to hit the road on my first headline North American tour. There’s nothing like being on the road and playing shows every night. There’s a part of me that feels invincible and more connected with who I am—I feel safe in the unpredictability. I asked my really good friend to be the tour manager. I flew the band to Chicago and the two of us drove the van from LA to Chicago to start the adventure. Five weeks of shows and one old van.

My dad is a touring musician and he always says, “you’ll discover what’s wrong with your van in the first two days.” Well, it took us five hours for the van to break down on the side of the road. Our love story started sleeping in the parking lot of an auto repair shop. The tour I’d been dreaming of was off to an adventurous start and hilariously… I loved every moment of it.

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TVD UK

UK Artist of the Week: Freddie Lewis

Bristol-based songwriter, poet, and performer Freddie Lewis returns with the release of his woozily infectious new single “Bell Jar,” out now.

Freddie Lewis continues to break structures around gender and relationships with the release of new single “Bell Jar.” The single combines pop, indie, and jazz-infused sensibilities in order to create a whole cocktail of sounds that compliment Freddie’s authentic vocal style perfectly. Fans of the likes of easy life and Gus Dapperton will feel at home here. The single is also accompanied by B-side “The Gallery” also out now.

After first releasing music in summer 2021, Freddie has seen plays on BBC Radio 1, 6Music, and was also featured as the cover artist on Spotify editorial playlist “Transcend” for four months. Throughout 2022 Freddie has continued to grow releasing his music alongside poetry B-sides. This summer brings performances from Freddie at The Great Escape Festival, Bristol Pride, 2000 Trees, and making his Glastonbury debut.

“Bell Jar / The Gallery” is in stores now.

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The TVD Storefront

Graded on a Curve:
Roxy Music,
Flesh + Blood, Avalon

We conclude our series spotlighting Virgin and UMe’s fresh reissues of Roxy Music’s studio discography with the last two in the chronology, Flesh + Blood (1980) and Avalon (1982), both available July 1, and don’t forget; the entire run is offered as half-speed masters. Taken together, this final pair of LPs effectively represent the band’s late period, while simultaneously presenting a contrast in quality.

After dishing a remarkably consistent span of albums between 1972-’79, Roxy Music began the ’80s with something of a creative stumble. While acknowledging that the band’s studio work is often divided into three distinct phases- the S/T debut and For Your Pleasure (i.e. the Eno-era), followed by Stranded, Country Life and Siren (the only three with a stable lineup), and last, Manifesto and the two under review here (the post-hiatus LPs), it’s also useful to isolate the last two, largely because of the obvious streamlining alongside Roxy’s breaking away from a few of their established discographical patterns.

Foremost, Flesh + Blood opens with a version of Wilson Pickett’s “In the Midnight Hour,” the first of two covers on the album, additions that can’t help but suggest a scenario nearer to what Ferry was up to on his covers-dominated solo albums; please understand that no other Roxy studio LP features any material that wasn’t at least co-written by Ferry. It’s a development insinuating a shortage of ideas on the singer’s part, if not the band’s, as three of Flesh + Blood’s songs were co-penned by guitarist Phil Manzanera.

Roxy once made a habit of bursting forth energetically on their albums, but with drummer Paul Thompson gone, a departure that tightened the core lineup to a trio of Ferry, Manzanera and saxophonist Andy Mackay, the music became firmly rooted in the zone of pop refinement. That is to say, “In the Midnight Hour” is given a decent enough treatment, but it’s notably lacking in soul grit.

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A morning mix of news for the vinyl inclined

In rotation: 6/28/22

Miami, FL | Miami’s ATV Records announces closure: The beloved dance music venue, which acts as a club and record store, will remain open until July 31st. ATV Records is permanently closing after two and a half years of operations. The Miami venue, home to a record store, nightclub and bar, announced the news via Instagram late on Thursday, June 23rd. No official explanation for the decision was given, with the team noting that they came to agreement following a “long and careful assesment.” ATV (short for “addicted to vinyl”) will continue to host parties until July 31st, its last day of operation. The space, launched by former club Electric Pickle, opened its doors in late 2019. ATV’s intimate atmosphere and four-point analog sound system made it a favourite among local and touring artists such as Danny Daze, Jubilee, Mike Servito, Moxie and countless others.

US | Manufacturers Struggle to Keep Pace With Vinyl Record Demand: Demand for record albums continues to soar in the United States, and the manufacturing base is having to reinvent itself to meet demand. The arrival of the compact disc nearly killed off record albums, with vinyl pressing machines sold, scrapped and dismantled by major record labels. Four decades later, with resuscitated record album sales producing double-digit annual growth, manufacturers are rapidly rebuilding an industry to keep pace with sales that reached $1 billion last year. Dozens of record-pressing factories have been built to try to meet demand in North America—and it’s still not enough. The industry “has found a new gear, and is accelerating at a new pace,” said Mark Michaels, CEO and chairman of United Record Pressing, the nation’s largest record producer, in Nashville, Tennessee.

Tewksbury, UK | Music tastes may vary, but vinyl is forever: Spinning favorite LP’s for hours on end with the volume up just a bit too loud has long been a pastime for many teenagers. Vinyl records have been around since the early 1900’s, offering professional sound quality to the average consumer. Those of us who grew up during the prime of the vinyl LP, from the 1950’s through the late 1980’s, re­member spending endless hours at the local record store. Other than the ra­dio, a teen’s record collection was the only access to popular music and worth the investment of an entire week’s allow­ance. That is not to say that the vinyl record did not go without competition from other music mediums. In the early 1960’s, cassette tapes made their way into the music listening industry. The cassette pro­mised portability with the ease to rewind forwards or backwards. Unfortunately, cassettes also came with the problem of jamming in the cassette player, kinking or breaking the cassette tape, usually from overplay.

Rowsley, UK | ‘Irreplaceable’ vinyl records sold at Rowsley car boot by mistake: A woman has said she is “horrified” after a relative accidentally sold 16 of her sentimental vinyl records for less than £1 each at a car boot sale. Rohan Mellor said the albums she had inherited were being stored by a relative while she moved house. They were sold in Rowsley, Derbyshire, on Sunday, the day after she and her husband got back from their honeymoon. Mrs Mellor said they were first press albums from the early 1960s to late 1970s, and were “irreplaceable”. They included albums by The Rolling Stones, The Beatles, David Bowie, AC/DC, The Clash, and The Who. The 26-year-old said the relative storing them had recently had a bereavement and accidentally mixed her records up with items she was clearing out. The vinyl records had been collected by Mrs Mellor’s father and uncle, and after her uncle died a few years ago her father gave them to her and her sister. She said she was “utterly shocked and horrified” that they were gone.

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TVD Cleveland

TVD Live Shots: My Morning Jacket and Indigo De Souza at Jacob’s Pavilion, 6/21

It’s been five long years without a My Morning Jacket show in Cleveland, but that streak was fortunately broken last week in a scorcher of a set (both literally—it was hot AF—and figuratively—the band itself also melted faces) at Jacob’s Pavilion.

The show kicked off MMJ’s summer tour, which unfortunately came to a grinding halt two days later, as frontman Jim James tested positive for Covid. Consequently, their two Louisville homecoming shows were canceled, Detroit and Columbus were rescheduled, and I’ve spent the last week feeling pretty damn lucky that I got to see them at all. While waiting for updates on the tour, I stumbled upon a discussion online about how some fans were placing bets on setlists and surprise guest appearances through offshorecasinos.bet — a trend that seems to be gaining traction among concertgoers. MMJ is set to resume their tour in Madison, Wisconsin, on July 1st, and hopefully, this is the last time that Covid interferes with their health and wealth.

As for the Cleveland show, it was full of everything I love about My Morning Jacket: soaring vocals, epic solos, full-on jam-outs, and thoughtful production lighting. Their band chemistry is simply off-the-charts—not to mention that they’re all musical wizards—and that combo makes for something seriously special.

Keyboardist and Lakewood native Bo Koster got a little extra love from the crowd after his solo on “Feel You,” but ultimately every member of the band dazzled. On more than one occasion I saw mouths gaping open all around me. It’s how you can identify new members of the flock.

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TVD Washington, DC

TVD Live: Jason Isbell, Sheryl Crow, and Waxahatchee at Wolf Trap, 6/17

Bundling acts together for summer tours doesn’t just provide entertainment value, it also allows fans of one act to be introduced (or reintroduced) to acts they might otherwise not have bought a ticket for—and being pleasantly surprised as a result.

At first look, the Americana stardom of critics’ favorite Jason Isbell might not need a second act to bolster sales. Indeed, he’s drawn large crowds on his own across the country—including Wolf Trap, just last fall, where this month he was back again for two nights.

Yet for all his success, he hasn’t had a fraction of the radio play, sales, or widespread pop dominance of Sheryl Crow—whose fans in turn may or may not be aware of his deft songs. Sharing a bill on a tremendous summer night at the wooded Virginia venue and showed how much they have in common, with great bands and sharp songwriting.

Fans of Isbell would be reminded how many of Crow’s songs they already knew by heart and may have forgotten; and those who came for her hits were open and fair minded enough to hear what the fuss about Isbell was all about, maybe for the first time.

The double bill was more than a Machiavellian promoters’ idea; the two had worked together on Crow’s last album, Threads, on a remake of Bob Dylan’s “Everything is Broken” that they reproduced on stage, trading verses and guitar licks.

Crow professed to love everything about Isbell’s music and his politics—though that didn’t come up at all from either artist, particularly. Isbell, for his part, said he’d never had a more fun tour than the one with Crow and opener Waxahatchee, which was already winding up after just seven dates up the Atlantic coast. (Really? Never?)

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