The TVD Storefront

TVD Radar: Craft Latino celebrates Antonio Aguilar’s centennial with 100-song playlist

VIA PRESS RELEASE | Craft Latino proudly pays tribute today to one of Mexico’s greatest stars, Antonio Aguilar, on what would have been his 100th birthday, with the release of Antonio Aguilar Centenario: Colección de la Familia—a 100-song playlist curated by his son Pepe Aguilar and family.

Available on Spotify, Apple Music, YouTube and other streaming platforms, the career-spanning playlist includes the Aguilar family’s personal favorites from Don Antonio’s extensive catalog, including his biggest hits (“Albur de Amor,” “Un Puño de Tierra”) as well as songs made popular by his iconic films (“Heraclio Bernal,” “Caballo Prieto Azabache”). Listeners will enjoy a variety of styles like rancheras (Mexican folk songs), corridos (storytelling ballads), tambora (a style of banda music from Aguilar’s home state of Zacatecas) and the popular mariachi.

Colección de la Familia will kick off an exciting year for fans of Antonio Aguilar. Additionally, in celebration of the artist’s centennial, Craft Latino is working closely with members of Don Antonio’s talented family on a historic, one-of-a-kind homage to the Mexican legend. This cutting-edge project—to be announced in the coming months—will artfully blend the past with the present, including several new recordings as well as fresh video content, and feature members of the Aguilar Dynasty paying tribute to the man that started it all and his remarkable legacy.

Antonio Aguilar (1919 – 2007) shone across multiple mediums as a beloved actor, singer, producer, screenwriter and equestrian. Fondly known as “El Charro de México” (Mexico’s Horseman), Aguilar began his career in the early ’50s and would go on to make 167 films and record more than 150 albums, selling a staggering 25 million copies during his five-decade-long career. Often compared to American actors like Roy Rogers, Gene Autry, and Ronald Reagan, Aguilar starred in films about rural heroes and revolutionaries during the Golden Age of Mexican cinema. In 1969, he also appeared in an American Western, The Undefeated, alongside John Wayne and Rock Hudson.

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The TVD Storefront

Needle Drop: Scary Hours, Live to Serve

NJ-based acoustic punk outfit Scary Hours, who coined their name from an old Wu-Tang song, imbue their jangly tunes with a biting satirical edge. The band’s acoustic pop punk and filtered lens radiates the confrontational ethos of hardcore—a bit like a Bukowski-esque version of Bright Eyes, or possibly a pissed off Plain White T’s high on Ritalin.

One click on the hilariously bleak opening couplet of “The Real Disease” and you will know what you’re in for—smart, misanthropic songwriting, delivered over jangly power chords. The wily “Pretty Bird” features another brilliant bout of self-defeating wisdom, as lead-singer Ryan Struck rattles off such gems as, “I’m gonna try to be pro-life and at the same time be pro-gun / and I’ll blow all your f*cking heads off while I judge the unfit moms.”

Scary Hours’ debut LP, Live to Serve, is chock full of these worldly realizations which both shock and amaze. The 10 song set arrived in stores last week and is available to stream via Soundcloud or Spotify.

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The TVD Storefront

Graded on a Curve: Aerosmith,
Toys in the Attic

Back in the day I went back on forth on Boston Very Baked Beans like a yoyo–liked ‘em in high school, loathed ‘em in college, then did what any sane person would do and put ‘em out of mind altogether. “Dude (Looks Like a Lady)” didn’t exactly make me want to keep abreast of what Aerosmith was up to.

First year in the dorms at Shippensburg College Aerosmith were inescapable, what with my floor’s resident dope dealers Sheesh and Shrooms cranking the Toxic Twins around the clock, and I’ll never forget the day in the dining hall I warned ‘em Aerosmith would rot their brains, and if they really wanted to improve their minds they’d switch to Frank Zappa! Who at the time, if I recall correctly, was producing such IQ-raising fare as “Crew Slut” and “Wet T-Shirt Nite”!

Yeah, I was full of shit for sure. Because like ‘em or not, Aerosmith were on to something. Steven Tyler, Joe Perry and the boys fused the New York Dolls’ glam-rock sleaze with Led Zeppelin’s sonic bombast to produce a brand new kinda high-stepping boogie strut. Aerosmith translated the leer into sound, brought David Johansen’s trash raunch aesthetic to the unwashed masses, and gleefully knocked the blues topsy-turvy, tossing in a whole bunch of dirty limericks in the process.

Theirs was garage rock of a sort, but the garage had a supercharged 1964 Pontiac GTO in it. Fact is Aerosmith boogied faster than almost any machine on the streets back in 1975. Punk was considered the fleetest thing on wheels at the time, but the title track of Toys in the Attic crosses the finish line before anything on Never Mind the Bollocks, and it came out a year and a half earlier! And Tyler’s nursery rhymes for adults are anything but dumb–anybody who can fit poor Paul Getty’s ear into a lyric is A-OK by me.

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A morning mix of news for the vinyl inclined

In rotation: 5/20/19

Ludington, MI | Going vinyl: Record store to open Saturday: A new business aims to find its groove on South James Street — an independently owned record store in downtown Ludington. Vintage Nutz, at 301 S. James St., will sell, buy and trade vinyl records, turntables, cassettes, CDs, VHS tapes and other retro items and memorabilia, said owner Ryan Lloyd. “We’ll be focusing on the music, but we’ll have a little bit of everything — anything old-school,” he said. The store will host its grand opening from 10 a.m. to 7 p.m. this Saturday. As a special offer, customers who buy during opening day will get a 10-percent discount off their next purchase, Lloyd said.

How is the resurgence of vinyl impacting our environment? The music industry has marked more than a decade of phenomenal growth in vinyl sales, but the question of sustainability remains. The figures are no doubt impressive: Some 14.3 million albums were shipped in 2017. Sales were up almost 200 percent year over year through the end of April 2019. And that’s only part of the story. Those numbers don’t include records sold directly to fans by touring bands or via individual sites, not to mention second-hand sales. “What the vinyl industry doesn’t really necessarily recognize,” Ryan Wilson of the Concord Music Group said in 2017, “is that there is a vinyl culture that lives outside of the new-release cycle, outside of Nielsen SoundScan and consumption charts that will always be there.” Unfortunately, there are a series of hidden costs associated with all of that great music – costs borne directly by our over-stressed planet.

Lincoln, UK | It’s coming home! Vinyl fans ecstatic after iconic Lincoln record store returns to the place where it first started: It’s moved to the original site where it opened in 1991. Lincoln’s vinyl fans are ecstatic after the city’s only independent record shop ‘came home’ to the place where it began nearly 30 years ago. Back to Mono announced earlier this week that it had moved a few doors down, back to the upper floor at 26 Guildhall Street – to where the shop started trading in 1991. And the business has a slick new promo video to promote itself. Owner Jim Penistan, 48, otherwise known as Jim Sonic, opened the shop’s predecessor, called Sonic Sounds, which operated at the site until around 2007. The music lover said that record sales have enjoyed a renaissance ever since 2009 and now account for 80 per cent of music sales. The shop has also expanded its collection of second-hand and new records to more than 10,000 – it also stocks CDs, which still account for 20 per cent of music sales, and a wide range of music memorabilia, including posters and tee-shirts.

Vinylize Your Sound: Thenatan’s VINYLIZER VST is designed to add old vinyl textures: Thenatan says that their VINYLIZER VST generates the warm sound and drive of old vinyl records and is a handy tool designed to add a wide range of Old Vinyl Textures to any studio toolkit. Here’s the details in their own words…VINYLIZER VST lets you control each nostalgic element independently, giving you all the vintage turntable sounds you love. Add a Non-Stop Vinyl ‘grit & grime’ Texture to your clean, digital tracks Or Give your tracks that old school flavor by adding a touch of noise dust and Hiss As Simple As Press & Hold a Note on your Midi Keyboard. These analog artifacts will add life and warmth to your tracks, just like the old records from back in the days when your record-player had “soul.”

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TVD Los Angeles

TVD’s The Idelic Hour with Jon Sidel

Greetings from Laurel Canyon!

You ride on the swing / In and out of the bars / Capturing moments of life in a jar / Playing with children / Acting as stars / Guiding your visions to heaven / And heaven is in your mind / Take extra care not to lose what you feel / The apple you’re eating is simple and real / So water the flowers that grow at you heel / Guiding your visions to heaven / And heaven is in your mind

Some pretty cool lyrics to be had about heaven.

Heaven is a truck / It got stuck / On the breeze / Asked the driver nicely / I need a lift? / I need release / The sand in the boats / On the rose covered floats / She is the queen of  / A canceled Pasadena thrill / (California) / I know arks can’t fly / I know the sharks / They don’t have wings / But lady you need some cold advice / About a few things / Loosen my dress / Tie me up just like all the rest / She is the queen of / A canceled Pasadena, thrill / (California)

Some call them “bits,” I’ll call ’em crumbs. It feels like I’ve been living off crumbs of late, but surely whoever is reading this should know we’ve got heaven’s crumbs up here in the LA canyons. You know, lil’ bits of life that make it all worthwhile. Sometimes you gotta search hard for them. I sometimes find them in a smile. Like the grin Steph Curry gave to his baby brother Seth in last night’s Warriors play-off game.

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The TVD Storefront

TVD Radar: Ghostbusters 35th anniversary vinyl reissue in stores 7/19

VIA PRESS RELEASE | In honor of the 35th anniversary of Ghostbusters’ 1984 theatrical debut, Sony Music announces a special reissue of Ghostbusters (Original Motion Picture Score) with music by legendary film composer Elmer Bernstein (The Magnificent Seven, To Kill a Mockingbird, The Age of Innocence).

Available now to preorder, the anniversary edition arrives in digital formats for the very first time (in both standard and high resolutions) and on CD Friday, June 7 and on vinyl Friday, July 19. The collection features music from the iconic blockbuster, newly mixed and remastered from the score’s original multi-tracks, as well as new artwork, commentary from Elmer Bernstein’s son, Peter, and four previously unreleased tracks. Of the 35th anniversary edition, Peter Bernstein, son of the late Elmer Bernstein, says, “As one of the original orchestrators on Ghostbusters, it has been very satisfying and also very moving to work on this soundtrack release 35 years down the road. It is a great movie with great music and we had a whole lot of fun creating it. I am very pleased to see it released in its original form.”

With a star-studded cast, Ghostbusters follows four men on a mission to save the world. Fired from university research jobs, Doctors Venkman, Stantz and Spengler set up shop as “Ghostbusters,” hiring Zeddemore and, together, ridding Manhattan of bizarre apparitions. But even the spirit exterminators are severely tested when beautiful Dana Barrett and her nerdy neighbor Louis Tully become possessed by demons living in their building. Soon every spook in the city is loose and our heroes face their supreme challenge at a rooftop demonic shrine. If you want your spirits raised, who you gonna call? Ghostbusters!

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The TVD Storefront

TVD Radar: The Deviants, The Deviants #3 ‘nun’s habit’ vinyl in stores 6/14

VIA PRESS RELEASE | The Deviants were the closest thing the ‘60s British rock scene had to The Mothers of Invention, with a Stooges-like fondness for fuzz guitar freakouts thrown in. And playing the Frank Zappa role as lyricist, singer, and provocateur was Mick Farren, one of the most intriguing figures to emerge from the UK underground.

Farren actually had a much longer and distinguished career as a writer than he did as a musician. He penned a total of 23 novels and 11 works of non-fiction, all of them redolent of his unique sensibility (his 1976 article “The Titanic Sails at Dawn” for New Musical Express predicted the rise of punk rock). And on the music side, he never did anything that wasn’t extreme, collaborating with Lemmy of Hawkwind and Motörhead and Wayne Kramer of the MC5 among others residing on the cutting and bleeding edge of rock and roll.

1969’s Deviants III was the third and last record he cut with his band The Deviants (the other members went on to form Pink Fairies); despite the strains in the band and Farren’s later panning of its quality, it’s regarded in some quarters as a masterpiece, capturing the dark side of the end of the ‘60s with such songs as “Billy the Monster” and “The People’s Suite.”

Farren collapsed while playing on stage with a re-formed version of The Deviants in 2013 and died soon thereafter.

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The TVD Storefront

Freekbass, The TVD
First Date and Premiere of “R U Ready” and Vinyl Giveaway

“Vinyl, and the whole album experience, has always been an analogue fantasy for me. The warm tones you get from the needle in the grooves was something lost in the digital and CD realm. Then there is the cover art, a tangible connection you can hold in your hands, making the listening experience more fantastical, bringing you into the artists’ world they have created.”

“My parents always had vinyl around the house while I was growing up. My father was a big Joe Cocker fan. I remember the Mad Dogs & Englishmen album cover like it was yesterday. I was always confused, because I would hear Cocker’s version of “She Came In Through The Bathroom Window” and sometimes I would hear The Beatles version. I didn’t understand how there could be two versions of the same song.

Now, this might sound strange, but as much as I remember how the record sounded and looked, I also remember the smell: the combination of the cardboard-cover mixed with vinyl scent of the album. It was an all part of immersive experience for this kid.

When got older, I would go to second-hand/thrift stores a lot. Partially for financial reasons and partially for the cool finds. As much as music was everything to me, I never bought a lot of recorded music growing up. If I ever had the extra money, I was spending it on music gear (bass strings, cables, amp and guitar repairs, etc).

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Graded on a Curve:
Billy Squier,
Don’t Say No

Back in the day my pals and I hated this MTV “video star” so much we dubbed him Billy Squealer, but in his brilliant and very off-kilter contribution to rock literature Stairway to Hell: The 500 Best Heavy Metal Albums in the Universe Chuck Eddy puts Billy Squier’s 1981 LP Don’t Say No at No. 67, a ranking so disconcertingly high I had to wonder: Is the guy insane? Or are my ears for shit?

Only one way to find out–I had my girlfriend tie me to a chair, then put Don’t Say No on constant repeat. Fourteen hours later she came back, and found me babbling on about how Billy Squier was a hierophant of unapprehended inspiration and one of the unacknowledged legislators of the world.

“Who are you channeling?” she asked, patently concerned for my mental health. “Algernon Charles Swinbure? Jim Dandy Mangrum? I told you this was a bad idea. The album’s a goddamn loaded gun, and I’m going to hide it someplace where you can’t hurt yourself with it.”

“Don’t you dare,” I hissed. “Billy Squier’s a fucking wizard and a true star. Just listen to “My Kinda Lover.” It’s like Led Zeppelin and Sgt. Pepper’s Lonely Hearts Club Band had a baby! And… and… and “The Stroke” is a stroke of Gary Glitter Stomp Rock Genius and the best Suzi Quatro song I’ve ever heard in my life!”

A couple of days (and a whole shit of mood stabilizers) later, my feelings about Squier and Don’t Say No are a bit more… measured. I’m not going to sit here and tell you Squier’s some big musical genius because he ain’t–he’s just one helluva human synthesizer. On Don’t So No he updates Led Zeppelin for the MTV Era, giving Plant and Page a Power Pop gloss (shoulda started a band called Def Zeppelin!) while leaving himself just another wiggle room–unlike, say, the musical jaybirds in Whitesnake or Greta Van Fleet–to escape arrest on charges of being a craven LZ tribute act.

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A morning mix of news for the vinyl inclined

In rotation: 5/17/19

Ville Platte, LA | On the Road: Floyd’s Record Shop in Ville Platte: Many don’t know this but Floyd’s Record Shop in Ville Platte has a rich history of preserving the music of Southwest Louisiana. Floyd Soileau started the shop more than 60 years ago. Soileau got his start in the music business as a DJ at KVPI in the 1950s. While DJing his colleague Chris Duplechin gave Soileau the idea to open a record shop in Ville Platte. So, Soileau and his brother drove to New Orleans and brought back 200 dollars worth of records and a 60 dollar record player to start their record store right next to the KVPI studio. Within a year Soileau moved into a new store and began recording music for local artists. And from his time as a DJ Soileau knew when someone had a hit. Soileau says “I always encouraged them when they came to record give me something of a story that will touch their heart or tickle their funny bones and maybe we got something to sell.” Then in 1975 Soileau opened up Louisiana’s only pressing plant.

Clinton, IA | Taking a spin: About 50% of Melissa Peterson and Keith Rixen’s sales are vinyl albums, so it’s only logical that most of the inventory at their new store consists of vintage LPs. After a couple of years in the flea-market scene, Peterson and Rixen purchased the former Burke Florist building at 210 Sixth Ave. South in Clinton. Having remodeled the building, the couple are now stocking and pricing vintage and antique items for the May 25 grand opening of The Underground. Rixen, who had spent his life in production and operations management, began selling LPs online a few years ago. “I just wanted to do something different,” he said. Then Rixen began fixing old furniture in the garage. It sold quickly, and the business grew. The couple set up shop at a flea market in LeClaire, selling vinyl albums, furniture and vintage items. “We excelled,” Peterson said. “He’s got a very good knack for reading people.”

Tallahassee, FL | FSU students invited to screen their films at Cannes Film Festival: …On May 21, senior film student William Stead will screen his documentary “The Flip Side” at The American Pavilion along with director of photography Evan Barber, also a senior in FSU’s College of Motion Picture Arts. The eight-minute film spotlights Banana’s Records in St. Petersburg, Florida, which describes itself as the largest vinyl record store in the world. Store owners Doug and Michelle Allen started Banana’s Records in the 1970s and have been growing their inventory ever since. Stead’s documentary takes a reflective and engaging look at the demise and surprising resurgence of vinyl records over the past 50 years. “I quickly learned you can’t write a script for a documentary,” Stead said. “Everything relies on how good your interview questions are, so I tried to craft a story with my questions that characterized CDs as the enemy of vinyl because they put a lot of record stores out of business.”

Buenos Aires, AR | The definitive guide to Buenos Aires’ best record shops: Few cities in South America can match the vibrant cosmopolitanism of Buenos Aires, which acts as a hub for people from all across the continent. A symbolic bridge between Latin America and Europe, Argentina’s capital presents a somewhat contradictory proposition for record buyers. With a rich musical culture leaving plenty to discover across the city, the notoriously unstable economy makes Buenos Aires a relatively treacherous place to run a business as precarious as a record shop. While it’s famous for its football, steak and myriad of architectural styles, the city’s record culture can be a littler harder to locate. Scratch below the surface though and it becomes clear that as the rock-obsessed home of tango with a party scene built for insomniacs, Buenos Aires is also an electric environment for music…We pick out nine shops from across genres to get you started.

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TVD Washington, DC

TVD Live: Ex Hex and The Messthetics at the 9:30 Club, 5/10

PHOTOS: RICHIE DOWNSMixed amid the sheer exhilaration of an Ex Hex gig at the 9:30 Club is the added pride of a hometown date. The DC rockers led by Mary Timony, once of Helium, Wild Flag, and Autoclave, quite rightfully nearly sold out the place, but I’m wondering why the trio isn’t selling out everywhere they go.

The songs are catchy, the guitars rock out, the female harmonies alternately bracing and empowering. Female-led bands aren’t the novelty they once were, thankfully, and the trio has moved into trying to recreate the crunching, double-guitar attack of arena rock. But they’re better than that, with catchier songs that are smarter and more fun. One quietly has to be happy they aren’t bigger than they are, or they’d be in some cavernous theater or arena instead of a cozier rock club.

Closing out a six-week US tour to boost their newest release on Merge, It’s Real, the band seemed as fresh as if starting it, a big neon logo behind them underscoring their determination to glow. Topping a bill that also boasted the best of DC rock, particularly The Messthetics, the instrumental power trio of guitar whiz Anthony Pirog with the Fugazi rhythm section of Brendan Canty on drums and Joe Lally on bass, the night seemed to make a case of the health of rock in the Nation’s Capital.

Ex Hex is almost sunny compared to their darker sound, but there’s every indication that Timony wants to stretch things out on guitar as well, even if her songs seem best suited to be short and exuberantly punchy as anything from the Ramones. She means to get more textures and aggressive sharpness with every release, though, with a couple of the tracks on It’s Real clocking in at over five minutes.

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The TVD Storefront

TVD Radar: Woodstock Nation, Doc Celebrates the 50th Anniversary of Music and Change

VIA PRESS RELEASE | Independent film production company Golden Leaf Pictures announces it will release Woodstock Nation, a new documentary exploring the evolution of music festivals, from the organic experience of the original 1969 Woodstock to a myriad of themed festivals today, asking the question: Is music still a strong voice for social change and do people have an innate need to gather in musical celebration?

Woodstock was more than just a concert, it sparked a social and humanitarian revolution. Those three days in upstate New York led a generation to find its voice, and fifty years later there are hundreds of festivals popping up each year. Woodstock Nation explores this phenomenon through a panoply of interviews with performers—both those in the original Woodstock lineup as well as today’s top stars headlining the world’s biggest festivals—concert promoters, influencers, celebrities, and fans.

The documentary will explore themes and theories revolving around the power of music, the importance of festivals to artists as well as fans, and the ways in which our relationship to music has changed, asking the ultimate question: In a culture with technology progressing at breakneck speed, from hardware to streaming to social media platforms that allow us to experience more high-quality music than ever before from the comfort of our homes, why do millions continue to flock to music festivals each year?

In conjunction with the documentary release, Golden Leaf Pictures will release a 50th Anniversary Commemorative Box Set that will be signed and numbered and include the following: • Limited Edition Poster, Laminated Pass, photo album and other collectibles celebrating 50 years of Woodstock. • 3 DVD Box Set of never-before-released concert footage from The Woodstock 40th Anniversary Concert at Bethel Woods

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The TVD Storefront

Black Match,
The TVD First Date

“Listening to a record on vinyl has a different warmth and character.”

“There’s a reason it has stuck around through the ages and continued to be a prominent love for music fans. It’s physical, you have cover art that you can touch, hold in your hand, and adore on your wall.

The vinyl itself holds the physical scrapes of a something greater, you can see the indentations of your favorite song. But most of all, the sounds feel as if they’re sent through a filter of nostalgia and homeliness. It’s something that we think will, or at least should, last forever.

We grew up going to an amazing record store in our town called Boo Boo Records. Its record collection is as iconic as its logo and has been named one of the top record stores in America by Rolling Stone magazine.

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The TVD Storefront

Needle Drop: Meiko, “Gimme Gimme”

A lot has happened since indie pop songstress Meiko burst onto the scene with her quirky 2008 pop gem “Boys With Girlfriends.”

After partnering with MySpace Records and Concord Music Group for the first decade of her career, the singer-songwriter has gone fully independent, self-funding her innovative new record In Your Dreams, so she could retain complete creative control. Recorded with producer Justin Glasco, the former drummer for The Lone Bellow, In Your Dreams is a glistening piece of alterna-pop that begs for repeat listens.

The lead-off single, “Gimme Gimme,” is a song that explores Meiko’s obsession with consumer culture. Daily online purchases, and dreams of orders and deliveries have become an intrinsic part of how we operate in our modern world, but it has never been so beautifully lampooned…until now. Set on a bed of jangly power chords and bright beats, Meiko romanticizes the pull of merchandise titans like Amazon who provide us with a myriad of distractions to satiate our ego’s desires.

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The TVD Record Store Club

Graded on a Curve:
New in Stores for
May 2019, Part Three

Part three of the TVD Record Store Club’s look at the new and reissued releases—and more—presently in stores for May, 2019. Part one is here and part two is here.

NEW RELEASE PICKS: Aseethe, Throes (Thrill Jockey) Here’s the third full-length from this Iowa-based doom metal trio; they have a relationship with drone that’s sturdy but still strikes me as mostly implicit (the big exception is “Suffocating Burden”); this is just fine to my ear. If an undercurrent rather than a mainstream, the drone works because Aseethe like to stretch out, and their stuff hangs in the air as much as it thuds. Aseethe also have a new member in bassist-vocalist Noah Koester, who’s largely responsible for the record’s anti-fascist and anti-greedmonger lyrical bent. I’ll confess that when vocal cords get this guttural, I essentially engage at the level of pure texture instead of striving to parse what’s actually being said, which is often not really worth the trouble. It’s nice to know this is an exception. A-

Doomstress, Sleep Among the Dead (Ripple / DHU) This Houston, TX-based four-piece released a 7-inch in 2016 and followed it up the next year with one side of a split LP with the band Sparrowmilk; this is their proper full-length debut, and I’m digging it quite a bit, in large part because they fortify a solid doom foundation with an approach to songwriting that hits my ear as fairly distinctive as it radiates classic vibes (notably, they dished a B-side version of Coven’s “Wicked Woman” on that first 7-inch). The consistently appealing vocals of Doomstress Alexis (who also plays a sturdy bass) initially hooked me, reminding me at times of Heart’s Nancy Wilson but in a thoroughly metallic context (getting a little operatic at times a la Ronnie James), but it was the quality of the songs that sealed the deal. A-

Full of Hell, Weeping Choir (Relapse) Folks who are bonkers over the whole extreme metal scene are likely already hip to Full of Hell, but this is my introduction, in part because I consider Relapse to be a signifier of quality; this is their first for the label. Full of Hell hail from Ocean City, MD, a once and current “tourist destination” where folks in some proximity of adulthood commonly passed out in bathtubs (or yes, on the beach) after too many National Bohemians. As it’s title should make clear, Weeping Choir isn’t music for swimming and suds but grindcore mingled with power electronics; they have prior collabs with Merzbow and The Body. At nearly 25 minutes, this is just the right amount of textured pummel. It looks like I’ll be spending some time investigating Full of Hell’s back catalog. A-

REISSUE/ARCHIVAL PICK: Joe McPhee, Nation Time (Superior Viaduct) Part of the ’70s jazz corrective was impressing on folks that the urge to get funky didn’t automatically equate to Bob fucking James. This live LP originally released on CjR in ’71 but basically a very well-kept secret until it was reissued as the inaugural CD in Atavistic’s out-jazz-focused Unheard Music Series in 2000, offers a splendid example of what I’ll call groove searching; the label mentions a potent blend of James Brown and Archie Shepp, and that succinctly describes “Shakey Jake.” McPhee remains one of our enduring free-jazz explorers. This was his second record on a label designed specifically to document his artistry (‘twas also initially the case with Hat Hut). It’s a crucial document available on wax for the first time in forever. A

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