The London-based trio BLiNDNESS formed all the way back in 2008 and seven years later their first LP has arrived. Flaunting tunefulness enveloped in rawness and volume, its songs are unabashedly idling at the crossroads of ‘90s alt-rock and indie, with detailed attention paid to shoegaze and nervy electro elements. The results fall a tad short of amazing, but through confidence and focus it serves as a promising debut; Wrapped in Plastic is out now on vinyl/CD/digital via the Saint Marie label of Ft. Worth, TX.
BLiNDNESS consists of Beth Rettig on vocals and programming, Emma Quick on bass, and Debbie Smith on guitar and feedback; all three get credited with noise. Those curious over the long period between the unit’s formation and Wrapped in Plastic’s emergence should understand that Rettig is part of The Mekano Set while Quick plays in Climbing Boys.
Smith has been busy as well, and she’s the point on BLiNDNESS’s triangle sporting the highest profile; from ’91-’94 she was a touring contributor to Curve and was also involved with Echobelly, Snowpony, Nightnurse, and Bows. A bit more casually she was/is in The Nuns, an all-female Monks cover band (!), and more recently worked alongside her former Curve mate Dean Garcia in SPC ECO.
One might be grasping a few commonalities; Snowpony was an indie supergroup featuring members of Stereolab and My Bloody Valentine, and Bows recorded for the esteemed ‘90s UK label Too Pure. BLiNDNESS’s influences are well-contained, however; amidst the rapidly observable strains of shoegaze and electro pop they strive to maintain a specific sound.