Any shelf dedicated to classic California punk requires representation by the Flesh Eaters of Chris Desjardins, aka Chris D. Never a bad record has he made under that moniker, but the finest of them remains the talent-drenched and enduringly brilliant 1981 LP A Minute to Pray, a Second to Die. It’s just been given a welcome reissue by Superior Viaduct of San Francisco.
I first learned of Chris D.’s work in the latter portion of the 1980s, my discovery largely aided by the diligent underground music press of the era, in particular the scribbling of Byron Coley. While numerous zines featured reviews of both the Flesh Eaters and Chris D.’s band of the period The Divine Horsemen, it was really Coley that helped to put Desjardins’ art in proper context.
In fact, Coley’s such a determined champion of the man’s work that his new liners for this reissue aren’t an extra so much as a prerequisite. And the insight was found in more than just reviews, articles, and prior sleeve notes, as Coley and Forced Exposure publisher/writer Jimmy Johnson conducted an extensive interview with Desjardins for issue #12 of their reliably hefty “quarterly” mag. The duo also provided space in the back for “Chris D.’s Video Guide,” an enjoyable and extremely enlightening tour of the guy’s VHS collection.
I’d already sized Desjardins up as a major part of the USA’s roots punk brigade, his output landing in the same rough region as The Cramps, X, The Blasters, The Plugz, and The Gun Club, but the conversation in FE presented him as an uncommonly astute member of the punk community (especially when compared with the average Flipside chat).