Joe Jack Talcum’s most well-known for his long tenure in those funny-punk Philadelphians The Dead Milkmen, but over the years he’s cultivated a productive if somewhat under the radar backlog of low-tech solo work initially released on cassette. The efforts of the Happy Happy Birthday To Me label in compiling this productivity continues with Home Recordings 1993-1999; volume two details Talcum’s improvement in his second decade as a musician.
For anybody coming of age in late-‘80s USA that harbored curiosity into left of center sounds, making the acquaintance of The Dead Milkmen was basically inevitable. Popular with skate rats, lovers of college-rock, scores of MTV junkies, the surly backpack/trench coat brigade and even the occasional metalhead, they were truly a boundary-crossing outfit.
In general, the Milkmen achieved this circumstance through a punk-derived disdain for seriousness that engaged but didn’t overplay the snotty. Specifically, they delivered sarcastic, sophomoric and low-brow humor, and if there’s a crowd reliably resistant to their charms it’s those with a low tolerance for the zany.
I don’t really belong to that group but also can’t deny that most humor-based music simply fails to move me. However, I’ll openly fess up to a personal Milkmen phase, in part due to the aforementioned ubiquity. And to put a finer point on it, they’re a band with a built in audience; teenagers. As a member of this demographic I was a fan, considering their thing to be refreshingly unstuffy and flippant. Time passed and then one day, the appeal had essentially abated.