The TVD Storefront

Happy Thanksgiving!

We’ve closed up the shop for the Thanksgiving holiday. While we’re away, why not fire up our free Record Store Locator app and visit one of your local indie record stores for Record Store Day’s Black Friday event? Our preview of what’s in shops this weekend is here.

Perhaps there’s an interview, review, or feature you might have missed? Catch up and we’ll see you back here on Monday, 11/26.

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TVD Chicago

TVD Live Shots: Tenacious D at the Riviera Theatre, 11/13

The dynamic, daring, dazzling, dapper duo of Jack Black and Kyle Gass—better known as Tenacious D—brought their Post Apocalypto Tour to Chicago for two sold-out evenings at The Riv. It was as glorious as you might imagine: JB and KG, backed by an excellent group of musicians rocked their butts off. In all of my decades of shows at The Riv, I’ve never seen the place more crowded than it was for the D, nor a more enthusiastic fan base.

The first half of their set showcased their most recent work, Post-Apocolypto, which is both an album and a YouTube series. The band performed behind a screen with the series projected on it. Later, the screen dropped and they played a killer “greatest hits” set.

Tenacious D’s tour heads to Canada in December and I strongly encourage my neighbors up north to grab tickets. They make you laugh and they make you rock—is there anything better?

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The TVD Storefront

Demand it on Vinyl: Franke & the Knockouts: The Complete Collection in stores 11/30

VIA PRESS RELEASETo some, Franke & the Knockouts was that ‘80s band led by the Jersey guy who would go on to win the Academy Award and Golden Globe for writing Dirty Dancing’s iconic theme song, “(I’ve Had) The Time of My Life.”

To others, Franke & the Knockouts was that other New Jersey band that boasted Tico Torres as its drummer—right before he joined Bon Jovi en route to superstardom. And then there are those who still can’t shake that pop-perfect Top 10 smash “Sweetheart” from their brains, even though they might not remember the artist behind the band and its other Top 40 blue-eyed soul 1980s hits: “You’re My Girl” and “(Without You) Not Another Lonely Night.” Regardless of why you remember Franke & the Knockouts—and why you should—one thing resonates as clear as Franke Previte’s indelibly soaring, soulful falsetto: Franke & the Knockouts, one of the greatest “lost ‘80s” bands, is back in a big way.

On Nov. 30, 2018—almost 35 years since the arrival of the third and final album in the band’s radio rockin’ blue-eyed soul trilogy—Friday Music is releasing the newly remastered ultimate collection, Franke & the Knockouts: The Complete Collection.

The deluxe three-CD set features all newly remastered tracks from the band’s three “lost” albums, Franke & the Knockouts (1981), Below the Belt (1982) and Makin’ the Point (1984) for the first time packaged together on CD, plus 11 bonus rare demo and unreleased recordings from Franke’s personal archives, ranging from his early ‘70s hard rock band Bull Angus, into his late ‘70s solo R&B work on Buddha Records to his post-Knockouts ‘80s group Brave New World, as well as additional tracks from the ‘90s. This incredible new set also includes a bonus CD featuring six live performances compiled over the years by Franke just for this collection. As Franke points out, it was a fusion of Bull Angus’ harder edge and the traditional R&B sound of his solo recordings that brought the “Knockout punch” to the blue-eyed soul of Franke & The Knockouts.

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The TVD Storefront

Needle Drop:
The Native Sibling,
“How to Win”

Seattle-based brother and sister folk duo The Native Sibling craft impeccable folk pop that breaks the mold.

It seems the duo has deconstructed their sound since their 2014 album, Letters Kept to Ourselves, which showcased the bands rustic vocal blend, finding its way to over a million listeners on Spotify and landing positive nods from the likes of iTunes and Daytrotter. Their newest single, “How to Win,” still makes use of their charming harmonies, but finds new life in minor key melodies and offbeat vocal interplay.

The video for “How to Win” is a perfect accompaniment to the track, bathing the duo in the noirish light of an underground studio as they perform for each other. It’s well-balanced, unpretentious, and delicate. Much like the source material.

“How to Win” is from the forthcoming album Hammer is Heart, due in stores early next year.

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The TVD Storefront

Elise Hayes,
The TVD First Date

“My love for records and record stores began as a small child in my living room.”

“My dad had this cabinet full of old records that as a pastime, I would sift through and pick out the ones with the prettiest covers. I remember the day that he showed me what an actual record was. How to carefully handle it, place it on the turntable, and delicately lift the needle to start the music. As I became more and more involved with music, I really came to appreciate his collection. The Beatles, Paul Simon, Joni Mitchell, James Taylor—it was responsible for my personal discovery of all of these iconic artists.

As I grew older, there was a record store down the street from my house called Turn it Up in Keene, NH. I would go there, and sift through everything they had. You could play them before purchasing, so I would sit there for hours, listening. I slowly developed a total obsession with R&B and soul music. Aretha Franklin, Stevie Wonder, Gladys Knight, anything from that era—I was completely hooked. I had never felt such a fire listening to music as I did when I was listening to those artists. The passion and energy behind what they were singing about was contagious. You could feel it on such a visceral level.

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TVD UK

UK Artist of the Week: CHILDCARE

This week’s Artist of The Week are the hotly tipped softcore-psych group CHILDCARE. They’ve already released a number of critically acclaimed tracks and are ending the year on a high with the release of their hugely infectious latest single “Bamboo,” out now via Big Indie Records.

Now, this is where things get interesting; the band is usually fronted by the extremely capable Ed Cares, however, for “Bamboo” the quartet decided to spice things up a bit and instead, bassist Emma Topolski takes centre stage. It’s a gamble that has certainly paid off. Emma’s stunningly majestic voice floats effortlessly over the heavy guitar riffs and pounding drums, creating something that falls between the likes of Everything Everything and The Japanese Breakfast.

The band is also renowned for their utterly flawless harmonies and this is certainly maintained on “Bamboo.” The rich and perfectly executed “ahs” throughout the track deserve your attention, that’s for sure.

CHILDCARE have already supported Bastille and regularly sell out shows in their London hometown, so we’re sure that 2019 will no doubt be a big year for these guys. Not to mention their debut album is tipped for release in February 2019. Its all happening and we can’t wait to hear it.

“Bamboo” is in stores now via Big Indie Records.

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The TVD Record Store Club

Graded on a Curve:
New in Stores,
November 2018,
Part Five

Part five of the TVD Record Store Club’s look at the new and reissued releases presently in stores for November, 2018. Part one is here, part two is here, part three is here, and part four is here.

NEW RELEASE PICKS: Foghound, Awaken to Destroy (Ripple) The new LP from doom-riff behemoths Foghound arrives with non-musical heaviness relating to the death of the band’s bassist Rev. Jim Forrester last December (RIP). After overcoming health problems delaying the recording of Foghound’s follow-up to their second album The World Unseen, Forrester was gunned down in Fells Point in Baltimore. Rather than fold activities, the band rallied and finished the LP (Forrester had been part of the basic tracking) and have recruited Adam Heinzmann to continue forward. The perseverance directly relates to Forrester’s memory, but Foghound also have a smoking album on their hands, one that’s raw and pummeling and engaging until the very end. Amid this enduring style, one of the year’s best. A-

Jacco Gardner, Somnium (Polyvinyl) Gardner is tagged as a baroque pop multi-instrumentalist, but one with a penchant for integrating ambient and kosmische elements (the promo text mentions Bo Hansson, Vangelis, Cluster, Tangerine Dream, Eno, and Oldfield). The album’s title is in direct reference to Johannes Kepler’s book from 1608 that’s been cited as the first science-fiction novel. This reinforces the considerable retro-futurist spaciness of the whole, but there are also appealing tendrils of psychedelia manifest in part through injections of fuzz guitar (and longer pedal-driven washes). It’s altogether an inviting ride, expansive yet crisp, with passages reminding me of Laurie Spiegel, the BBC Workshop, and even David Axelrod (so this would pair well with the Pride reish below). A-

REISSUE/ARCHIVAL PICKS: Michele Mercure, Beside Herself (RVNG Intl. – Freedom to Spend) Between 1983 and ’90, Pennsylvania-based synth composer Mercure self-released a handful of cassettes through tape-trading networks; until this 2LP retrospective covering her early work, 2017’s Eye Chant (the first release on Freedom to Spend) was her only music to grooved into vinyl. The 19 pieces collected here, while unmistakably from the 1980s, are refreshing in how they navigate and transcend the aura of the period. At times, like when she manipulates audio taken from TV news program, her circumstances as a denizen of the underground come to the fore, but as the collection unwinds the surprises pile up, with “An Accident Waiting to Happen” just one of the standouts. Another revelatory release from RVNG. A

The Germs, “What We Do is Secret” (ORG Music) I was just chatting with a pal the other day about the cornerstone LPs of classic LA punk. We came to a consensus over Los Angeles by X, Group Sex by the Circle Jerks, The First Four Years by Black Flag (which is a compilation, I know), and (GI) by the Germs. There are other fine full-lengths sure, but this is an effective starter kit for the scene. “What We Do is Secret” is not as massive and essential as (GI), but its best moments aren’t far behind, and its eight songs would serve as a fine introduction. Well, better make that seven songs, as one track consists of captured banter from a 1980 gig at the Starwood that, rather than superfluous, magnifies the band’s essence (and segues into a pair of worthy cuts from the show). A tidy taste of disheveled glory. A

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A morning mix of news for the vinyl inclined

In rotation: 11/20/18

Vancouver, CA | Another Vancouver record store closes its doors after 40 years: Despite a resurgence in the popularity of records in recent years, technology and the internet have killed yet another brick and mortar store: this time a Vancouver record shop. After 40 years in business, Sikora’s Classical Records on Hastings Street is closing it’s doors for good. The original owners Dick and Dorothy Sikora had a vision in mind when they opened their doors, says now co-owner Edward Savenye. “They wanted this city to have something like that, where people who love classical music could come here and enjoy… yes consume, but at the same time, it was kind of like a gathering place,” he says. But now the owners have decided to close their doors because of what he calls the “five dirty Ds:” distribution, downsizing, demise, digitization, and desertion.

Vancouver, CA | Vancouver’s only classical record store calls it quits after 40 years. In a business dominated by Spotify and Amazon, Sikora’s Classical Records just can’t compete anymore. This is the story of a love affair that ends in heartbreak. Only for Ed Savenye, the sorrow comes from the decision to close Sikora’s Classical Records, the business he poured his heart and soul into for over 20 years. “As you can imagine, it’s pretty much the range of human emotions. There’s obviously sadness … and I’ll be honest, anger in that a lot of people, for the sake of a couple of bucks, they just deserted us.” Record and books stores are the serial victims of new technology and online commerce. Sikora’s managed to keep going beyond what seems reasonable in a Spotify and Amazon world by offering human service in a niche market. But reality finally caught up with the store at 432 West Hastings, and on Feb 28, 2019, exactly 40 years after Sikora’s first opened, it will shut its doors for good.

London, UK | Take a look around London’s three new record shops. More new record shops than Cabinet resignations. London has welcomed three new record shops since the start of November: the Arthur Russell-inspired World Of Echo on Columbia Road, a second outlet for Notting Hill institution Honest Jon’s in Kings Cross, and an (albeit semi-permanent) brick & mortar spot for online retailer Bleep.com in Dalston. To give you a sense of what to expect, VF took a camera to all three, which you can explore in the galleries below…Notting Hill record shop and label Honest Jon’s has opened a new venue in King’s Cross. Housed within new development Coal Drops Yard, the shop will operate as a sister location to its current Portobello Road spot. Co-founder Alan Scholefield explains: “we’ve been in that (Portobello) shop since ’79 — 40 years there and several years around the corner — so one thing you do accumulate is a lot of stuff. We’ve got a lot of records.”

Rochester, IN | BIZ BUZZ: Record Farm opens new location in Rochester: The Record Farm, located inside the State Theatre building on the 300 block of Market Street, is expanding to a second location in Rochester. Similar to its pairing with the State Theatre, the new store will be located inside the Times Theater at 616 Main St. in downtown Rochester. The Times is currently closed while raising funds for a restoration project. Like in its Logansport location, the Record Farm’s new store will sell new and used vinyl records, tapes, CDs, turntables and musical accessories like guitar picks, strings and straps. The Rochester store will also sell Fender guitars, basses and ukuleles and offer consignment on used musical instruments. Matt Swisher, who is co-owner of the Record Farm along with Adam Wilson, says the Rochester location is slightly larger than the Logansport location, allowing it to stock a little more inventory and musical instruments.

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TVD San Francisco

TVD Live Shots: Daughters at Bottom of the Hill, 11/10 and 11/11

Very rarely will a band live up to the industry hype that’s swirling around it during that ever so important album release and subsequent tour, but this is one of those times where it does. Having signed to Mike Patton’s Ipecac records, the Rhode Island band Daughters return with their first album in 8 years, You Won’t Get What You Want. Critics and fans alike are hailing this record as the perfect evolution of the band. The songs, the lyrics, the musicianship; but most importantly the live show have all come together as the stars have finally aligned for these post-punk underdogs.

How good is the live show? So fucking good that I went two nights in a row and brought my camera to document the experience at the nightmarishly dark and small (but super cool) Bottom of the Hill in San Francisco. Daughters would headline for two sold-out nights with rumors that Mr. Patton himself would be in attendance for night two. The calm before the storm took place just after 10PM—then the fury would hit fast and hard.

Frontman Lex Marshall and guitarist Nicholas Andrew Sadler lead the five-piece live band which quickly becomes an orchestrated assault on all senses. It falls somewhere between a Mack truck crashing through a brick wall at 100 miles per hour and a massive wall of noise that teeters in and out of Melvins-style drudge and punk fury. The remarkable thing here, and what makes it so unique, is the underlying melody that brings an element of light to the overwhelming darkness and anger that ignites the crowd. There was a full-blown mosh pit that would rival anything I’ve seen at a Slayer or Lamb of God show.

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The TVD Storefront

TVD Radar: Leftover Salmon: Thirty Years of Festival! in stores 2/19

VIA PRESS RELEASE | Few bands stick around for thirty years. Even fewer bands leave a legacy during that time that marks them as a truly special, once-in-lifetime type band. And no band has done all that and had as much fun as Leftover Salmon.

Since their earliest days as a forward thinking, progressive bluegrass band who had the guts to add drums to the mix and who was unafraid to stir in any number of highly combustible styles into their ever evolving sound, to their role as a pioneer of the modern jamband scene, to their current status as elder-statesmen of the scene who cast a huge influential shadow over every festival they play, Leftover Salmon has been a crucial link in keeping alive the traditional music of the past while at the same time pushing that sound forward with their own weirdly, unique style.

As Leftover Salmon nears their 30th year, their inspiring story is set to be told in a brand new book, Leftover Salmon: Thirty Years of Festival! that will be released February 2019 by Rowman & Littlefield. In this book, critically acclaimed author of Bluegrass in Baltimore: The Hard Drivin’ Sound & It’s Legacy, Tim Newby presents an intimate portrait of Leftover Salmon through the personal recollections of its band members, family, friends, former band-mates, managers, and the countless musicians they have influenced.

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The TVD Storefront

TVD Radar: Feelin’
Right Saturday Night: The Ric & Ron Anthology
in stores 12/7

VIA PRESS RELEASE | Craft Recordings has announced the release of Feelin’ Right Saturday Night: The Ric & Ron Anthology, in celebration of the 60th anniversary of pioneering New Orleans R&B label Ric Records and its sister label Ron Records.

The CD and digital formats are due out on December 7th, following the exclusive double-LP package releasing on Record Store Day Black Friday on November 23rd. The compilation features classics from Professor Longhair, Irma Thomas, Eddie Bo, and Al Johnson, along with the Joe Jones hit “You Talk Too Much” and two previously unreleased tracks-a demo of “Tipitina” by Professor Longhair and “Good Enough For Me” by Eddie Bo. New liner notes by GRAMMY®-winning producer Scott Billington round out the package.

Founded by Joe Ruffino—a former salesman for New Orleans-based music-industry hub A-1 Distributors—the legendary labels Ric and Ron, named after Joe’s two sons, occupy a unique place in the history of New Orleans rhythm and blues. Operating for only four years, between 1958 and 1962, these sister imprints document a unique and transitory sound in New Orleans music, between the eras of the hit-making producers and songwriters Dave Bartholomew in the 1950s (Fats Domino, Smiley Lewis) and Allen Toussaint in the 1960s and 1970s (Lee Dorsey, Irma Thomas, the Meters).

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The TVD Storefront

Ivy Mairi,
The TVD First Date

“I’ve been casually collecting records since moving out on my own when I was 18.”

“Not long after I got my first apartment, I found an old Dual turntable from the ’70s on the street. A friend (who already had a massive vinyl collection) helped me get it fixed, and set up a full audio system with a vintage receiver and speakers from Ring Audio, in Toronto’s east end. I think my parents paid for it for my 19th birthday, or something like that. It felt like a big growing-up moment! I still use that setup 10 years later, and it still sounds great.

I do buy new vinyl, but my collection mostly consists of ’70s and ’80s stuff. I love ’70s British folk revival albums from groups like Fairport Convention and Steeleye Span. I have a great copy of Control by Janet Jackson that I’ve played over and over. Recently I’ve been loving Breakout by the Pointer Sisters—that one belongs to my roommate. Of my new vinyl, one of my favourites is Free Will by Bry Webb. I like to put that one on and just be quiet.

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The TVD Record Store Club

Graded on a Curve:
New in Stores,
November 2018,
Part Four

Part four of the TVD Record Store Club’s look at the new and reissued releases presently in stores for November, 2018. Part one is here, part two is here, and part three is here.

NEW RELEASE PICKS: V/A, 3 x 4: The Bangles, The Three O’Clock, The Dream Syndicate, Rain Parade (Yep Roc) A lot of scene-oriented regroupings/ get-togethers are hindered by a sense of self-congratulation, but this endeavor by four key Paisley Underground bands, with the above-named participants covering each other’s songs, doesn’t give me that vibe at all, partially because this celebrates a movement that was initially a rejection of “gotta-make-it-big”-ism in favor of classic stuff (as listed by Steve Wynn in the booklet; VU, Nuggets, Syd-era Floyd). They all sounded so good though, that making it big (to varying degrees) was basically inevitable. This has three songs each by all four, and if you ever wondered what the Bangles covering “That’s What You Always Say” would sound like, well wonder no more. A-

Tav Falco, Cabaret of Daggers (ORG Music) Memphis titan Tav Falco came to prominence as arguably the finest, and less contentiously, the deepest of the post-punk (as in after punk) champions of pre-Beatle rock ‘n’ roll and sweet Southern roots. I consider it hard to dispute that he was the most striking personality of the bunch, and his flair has extended into his later work, which has retained its relevance through a consistently expanding sphere of interests, including tango music. Accompanied by his Unapproachable Panther Burns, Cabaret of Daggers sounds markedly different from Tav’s thing in the 1980s, though the man’s huge presence integrates it quite nicely into his oeuvre as a whole. That he gets political in “New World Order Blues” (and a cover of “Strange Fruit”) is a welcome bonus. A-

REISSUE/ARCHIVAL PICKS: The Jerry Garcia Acoustic Band, Almost Acoustic (ATO) I know this one well through the Deadheads in my life, but I’ve never owned it; ‘tis nice that I can rectify that with ease. Recorded live in San Francisco and Los Angeles, this 70-minute set of bluegrass, blues, and roots reinforces both Garcia’s talent as a guitarist and his pretty-much unfaltering taste in material, as he chooses a bounty of traditional songs, “Blue Yodel #9” from Jimmie Rodgers, “Oh, Babe, It Ain’t No Lie” from Elizabeth Cotten, two from Mississippi John Hurt, and more. The entire band is in top-notch form (of special mention is the record’s producer Sandy Rothman on mandolin and dobro) and they roll with clear delight all the way to a concluding version of “Ripple.” You know the crowd loved it. I do, too. A

Bauhaus, “The Bela Session” (Leaving), Press the Eject and Give Me the Tape & The Sky’s Gone Out (Beggars Arkive) For Bauhaus lovers, the EP is the crown jewel in this batch of 40th anniversary reissues, as three of the five cuts are previously unreleased (one is “Boys” from the ’79 “Bela” 12-inch in its original version). Those who like but are not bonkers over Bauhaus might be wondering if these tracks hold more than historical interest, but it’s really getting to hear the band before they totally solidified their direction that makes it all such a treat. Press the Eject is the ’82 live alb; it’s solid but skippable if you’re on a budget. Third LP proper Sky holds signs of strain but is strong enough that their positive trajectory was essentially maintained. The opening cover of Eno’s “Third Uncle” rips. A-/ B+/ A-

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A morning mix of news for the vinyl inclined

In rotation: 11/19/18

Omaha, NE | One of Omaha’s few remaining record shops is closing: Almost Music will close in January. The independent record store in the Blackstone District announced the news in a Facebook post. “It is with heavy hearts that we announce the January closure of our beloved little store. That’s right, folks, we’re calling it quits,” the post said. “We gave it hell and had some kicks.” Coupled with used bookstore Solid Jackson Books, Almost Music opened in Benson in 2013. It moved to Blackstone in 2016. When it opened, Brad Smith acknowledged to The World-Herald that opening a new record store would be tough, but he wanted to provide a good experience for customers. The store mostly focused on high-quality used vinyl. The shop will remain open until January, and it will continue to buy and sell records.

Shanghai, CN | The last of the musical dinosaurs shuffles toward extinction: It’s been quite the hustle in the narrow dead-end at 64 Fenyang Road over the past few days. People, young and old, have come to bid farewell to an old friend. “Classic Music Store,” a record shop that has been there for 14 years, closes for good on Sunday. Fenyang Road, a tranquil street in Xuhui District, is sometimes called “the street of music,” for this is where Shanghai Conservatory of Music is to be found and was once home to many music shops. But Classic is the last record shop standing in the street, perhaps one of the last of privately owned record stores in the whole country, a dinosaur, struggling to survive with an out-of-date shopping style in the face of the rise of the smart little mammals of e-commerce. First DZMZ (Dazimingzhong) market, a sacred place for album lovers, was demolished in 2008. Then, more and more record stores hidden in backstreets and lanes disappeared. Copyright regulations tightened, digital music rose and the tiny bright lights of “real” music, were slowly snuffed out, one by one

Chicago, IL | Records are being pressed in Chicago for the first time in over 20 years: A long overdue vinyl manufacturing hub in the Windy City. A new record pressing plant called Smashed Plastic has opened in Chicago, reports the Chicago Reader. Housed in Workshop 4200 (fka the Hammond Factory), Smashed Plastic currently operates one Viryl Technologies’ WarmTone press, with the scope to add two more should the plant expand. Smashed Plastic began its soft launch in October, with an official opening scheduled for January. The company plans to focus on shortening wait times for independent labels and bands.

Dun Laoghaire, IE | ‘We don’t listen to albums the way we used to’ – The Vinyl Festival celebrates record revival: Oscar nominated director Lenny Abrahamson and actor Adrian Dunbar are among the high-profile guests sharing their love of vinyl at The Vinyl Festival this weekend…Born out of a conversation between local record shop owner Brian O’Flaherty and graphic designer and fellow vinyl enthusiast Neil Goodman last year the three-day event also boasts guests including Bronagh Gallagher, Don Letts, Joe Jackson, Gavin Friday, Julie Feeney, Steve Averill and more, with 2FM’s Dave Fanning and Today FM’s Tom Dunne moderating. It’s clear the vinyl revival is thriving in Ireland. For co-founder Neil, the festival is about remembering a time when albums were tangible entities, savoured over and played as they were intended, and the artwork was as much a part of the ritual as the music.

Vinyl took off now cassette players are making a return: First it was vinyl sales that took off now there is a move to bring back the cassette player with Crosley set to release two brand new cassette playing devices that also have a radio built in. This week the Company announced that they’ve launched two new cassette players—the CT100 and CT200—the first-ever cassette players that the company has ever manufactured. “Just as our portable record players helped bring vinyl mainstream years ago, we know our new cassette players will lead the charge on the revival of the cassette tape,” Director of Marketing Jason Menard said in a statement. “These new cassette players bring together the retro design and nostalgia of the 80s with modern technology, making them a must-have for all generations of music lovers.” Both the CT100 and CT200 feature a tape deck with cassette auto stop, AM/FM radio, and a headphone jack.

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TVD Los Angeles

TVD’s The Idelic Hour with Jon Sidel

Greetings from Laurel Canyon!

Sometimes my mind don’t shake and shift / But most of the time, it does / And I get to the place where I’m begging for a lift / Or I’ll drown in the wonders and the was / And I’ll be your guy, if you say it’s a gift

Ugh, ugh, ugh! First the shooting then the fire storm. Our “lucky” canyon is miles away but our hearts are close. Looking up and down our little havens in Laurel, Benedict, or Cold Water Canyon, one couldn’t help but think, “Oh man what a nightmare!”

It didn’t take long before a friend or co-worker was evacuated or lost a home. As the smoke crept toward our doors Saturday, I just wanted to crawl in bed and say, “Fuck man. God, let it be over.” Wasn’t that last week’s muse on 2018?

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  • SUPPORTING YOUR LOCAL INDIE SHOPS SINCE 2007


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