The TVD Storefront

TVD Radar: Telex, MAXI 2LP transparent red & blue vinyl in stores 12/4

VIA PRESS RELEASE | Telex and Mute have announced details of a 13-track album, MAXI, collating extended versions of beloved classic tracks from the Belgian trio. The album, out on vinyl and CD on 4 December 2026, launches with a maxi mix of one of their best-known tracks, “Moscow Diskow,” a rollocking, swerving, steaming dancefloor classic, which laid down the railroad for as yet unimagined electronic musics such as House and Techno.

The Belgian synthpop trio—Marc Moulin (1942- 2008), Dan Lacksman and Michel Moers—launched in Brussels in 1978, as one of only a handful of synthpop pioneers at the time, bringing electronic pop to the mainstream. For the new album, the surviving members have revisited the original tapes to create new Maxi Versions. Featuring new mastering with updated mixes, the album stays true to what we know and love about Telex and this new Maxi mix of “Moscow Diskow” shines new light on a track that was already years ahead of its time.

MAXI features extended mixes of tracks such as “Euro-vision,” which was famously entered into the Eurovision Song Contest in 1980, representing Belgium. Moers says he regarded their entry as “very Situationist International, the worm in the apple.” and they resolved either to come first or last. They quite didn’t achieve either goal, but became part of the Eurovision saga.

Also featured is their cover of Bill Haley’s “Rock Around The Clock,” in which all of the rock is removed leaving nothing but the clock; a ticking, vocoderised, supremely deadpan robot parody of the original, earnt them an invitation to perform on Top of the Pops in 1979.

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TVD Radar: The Darkness, Crock of Hits 1LP, 2LP, 1CD, 3CD in stores 11/27

VIA PRESS RELEASE | Rock legends The Darkness proudly announce their first personally curated best of album Crock of Hits for release on November 27th via Warner Music.

Announcing the record Justin Hawkins says, “Listen upon our works ye mighty and rejoice! Crock of Hits will startle you. Hold you as you tremble. And gently force you to succumb to its aural splendour. A “best of” curated by us, so you can be certain it’s the bestest of the bestiest. Suck it up, people…”

In celebration, the band have announced a very special intimate album launch show to take place at London’s Moth Club on September 17th. Pre-sale starts at 10am on Tuesday 8th September here, general on sale commences at 10am Thursday 10th September here.

Regarding Moth Club, Justin says, “The first rule of Moth Club is, don’t fly into the lightbulb. Just kidding—nocturnal Lepidoptera rejoice! We’re coming to play at the Moth Club. That thing about burning yourself to a crisp is more of a guideline than a rule, so come celebrate The Darkness on this special night…”

Compiled by the British national treasures themselves, Crock of Hits forms a magnificent sonic highlight reel of their chart-topping, award-winning, multi-platinum selling catalogue, which has spawned some of the most iconic rock songs in history.

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Graded on a Curve: Electric Light Orchestra, The Ultimate Collection

Remembering Kelly Groucutt, born on this date in 1945.Ed.

How great is ELO? Randy Newman wrote a song (“The Story of a Rock and Roll Band”) making fun of ‘em! Talk about your honors. That’s better than a Grammy! Six Grammys! A dozen Grammys even!

And how dumb was poor Roy Wood, who split Electric Light Orchestra before they sold like a gazillion records to form Wizzard, who sold like six! No wonder hairy Roy looks like a crazy recluse who’s spent the past 40 years in the wilderness, subsisting on a diet of spotted squirrel and sterno–he has!

The words “symphonic rock” frighten the bejesus outta me. But (at least on the best of their songs) ELO pulled it off, partly on the strength of their top-secret recipe (write Beatlesque melodies, then add strings) but also because–and this is critical–unlike the pompous schmucks in Emerson, Lake & Palmer, ELO approached their classical-rock fusion in a spirit of fun.

I don’t much care for many of their songs for the simple reason that I have a low tolerance for cellos and the like, but there’s something self-consciously preposterous in their shtick that makes me love them anyway. Call it ironic distance if you like, but the distance counts for a whole lot in my book.

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TVD UK

UK Artist of the Week: Provenance

Middlesbrough six-piece Provenance are quickly making their mark on the North East England indie scene with infectious hooks, soaring melodies, and high-energy live shows. The rising six-piece are bringing indie-pop and plenty of Northern energy to the UK’s emerging guitar scene.

Drawing influence from Catfish and The Bottlemen, Inhaler, and Circa Waves, their sound blends driving indie-rock with new wave-inspired synths. Their latest single, “Save It For The Weekend,” produced by Jamie McIntyre of The Covasettes and Sugar House, delivers an irresistibly catchy take on the realities of an immature relationship, pairing anthemic synths with candid lyricism.

Having earned support from BBC Introducing, Radio X’s John Kennedy and Hunger magazine, as well as slots supporting Corella and appearances at Twisterella and Redcar Beach Live, Provenance are firmly ones to watch. With more new music and live dates to come, 2026 looks set to be a big year for the rising six-piece.

“Save It For The Weekend” is in stores now.

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Graded on a Curve: Shudder to Think, “Who Sent You?” & “Thirst Walk” b/w “Playback”

Arty, glammy, mathy, poppy, theatrical: Washington DC’s Shudder to Think emerged in the late 1980s as one of the most interesting bands to get slapped with the tag of post-hardcore. Persevering through productive lineup changes before transitioning to soundtrack work, they did what bands so often do; they broke up, only to reunite for shows, and now they’re fully back on the recording front, with a new digital EP “Who Sent You?” available on September 11 that follows a vinyl single from late last year. The wax and the digital, both released by Dischord Records, get a proper consideration below.

Shudder to Think made a big splash back in 1989 with their inclusion on the Dischord Records’ benefit compilation State of the Union, a grand tour of DC post-hardcore of the era with proceeds going to the A.C.L.U. and The Community for Creative Non-Violence (note that State of the Union is still available as a digital release).

“Let It Ring” was Shudder to Think’s contribution to State of the Union, closing the record in emphatic fashion, their explosiveness both soaring and stampeding as it stood apart from anything else on the album. “Let It Ring” also closes side two of Curses, Spells, Voodoo, Mooses, the band’s 1988 debut LP for Sammich Records, in a solid but lesser version than the compilation cut. Anyone interested in the band will want to hear both.

With 1990’s Ten Spot, Shudder to Think joined Dischord Records proper as they helped to stylistically broaden the label’s strongest decade. The lineup from the start was Craig Wedren on vocals, Chris Matthews on guitar, Stuart Hill on bass, and Mike Russell on drums, and so it remained through 1991’s Funeral at the Movies (find an original copy which includes a sweet version of “Crosstown Traffic”) and the following year’s Get Your Goat.

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A morning mix of news for the vinyl inclined

In rotation: 9/8/26

Dollars & Sense: The return of ownership. After years of renting our entertainment, some consumers are rediscovering the value of actually owning it. I am of a certain generation and grew up owning my entertainment. I bought the vinyl (Billy Joel’s Glass Houses was my first ever), bought the CDs (Aja by Steely Dan was the first in that category), and bought the books as well (my shelves are stacked with old James Patterson books, including a signed first edition of Along Came a Spider). I can tell you about my firsts, but making a list of the “lasts” I bought in each category—now that’s a challenge. Why? Well, because like many other people, for the past 15 years or so, I’ve gradually traded ownership for access.

Lansing, MI | Put your records on: Accessibility and convenience are generational buzzwords, ‘kids these days’ are finding joy in the tedious. Like everything else, the internet changed the music business. First, it was Napster and iTunes. Pandora and YouTube came later, followed by Spotify, Tidal and Apple Music. Add smartphones to the mix, and the hassle of physical media seems unnecessary when on-demand streaming is available. However, that attitude appears to be shifting. “In the last, I would say, four years, CD sales are through the roof,” Clint Harkness, a longtime employee at Flat, Black & Circular, said. Located off Grand River Avenue in East Lansing, FBC buys and sells new and used vinyl records, CDs and videos.

Cedar Falls, IA | High fidelity to music, community: Metro Records continues a Cedar Falls legacy. When someone is looking for socialization or community, they often go to a third space. Austin Wise, UNI alum and the owner of Metro Records in Cedar Falls since 2023, describes third spaces as a spot to hang out and socialize outside of work and home. Unfortunately, the internet has taken up the space that used to be reserved for these places, and third spaces are fading away as more people turn to online socialization instead of in-person. “I believe this has huge implications on our mental health,” Austin said. “I’m constantly trying to turn Metro Records into a third space to help our community.”

Calgary, CA | Gen Z fuels CD comeback at Calgary record stores as Canadian sales rise: Compact discs (CDs) are making a comeback and finding a new generation of buyers and connoisseurs across Canada as teenagers and young adults turn to the once-declining format to find an affordable way to own music. According to Luminate’s 2026 mid-year report, Canadians are consuming more music across the board this year, with all formats seeing a rise compared with 2025. Physical album sales were up 4.2% to 1.7 million units. In Calgary, local retailers are saying that demand for CDs has climbed rapidly over the past few years, reflecting the broader demand for physical media among Gen Z and younger generations.

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The TVD Storefront

We’re closed.

We’ve closed TVD’s HQ for the Labor Day holiday. While we’re away, why not fire up our Record Store Locator app and visit one of your local indie record stores?

Perhaps there’s an interview, review, or feature you might have missed? Catch up, and we’ll see you back here tomorrow, 9/8.

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TVD Los Angeles

The Best of Idelic Hour with Jon Sidel

Greetings from Laurel Canyon!

You picked me up / Oh, yes you did / When nobody else would / I know you did / And you did things / For me, my baby / That nobody else could / I know you did

It’s another hot one here in LA. Actually at 90 degrees, we’re on a cooling trend. After two short weeks it’s like…I’m getting my pencils sharped and notebooks organized for a busy, busy fall. The trick is to be happily working away. Honestly those summer cucumbers and watermelon help.

Per tradition, September marks the beginning of school and triggers the time for young bands to release new songs. So, with that in mind…

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TVD Radar: George Michael, The Faith Tour 2LP, 3LP, 2CD sets in stores 11/6

VIA PRESS RELEASE | On 6 November 2026 George Michael Entertainment and Sony Music Entertainment will release The Faith Tour, the hotly anticipated 18-track live album of previously unreleased recordings featuring hits from George Michael’s groundbreaking, multi-million selling WHAM! and solo catalogues.

Recorded during the iconic Palais Omnisports de Paris-Bercy stop on the European leg of the Faith Tour in 1988, the superstar’s first solo concert tour, the album showcases George’s extraordinary vocal talent and skill as a live performer. In what will be a gift to superfans, pop scholars and musicologists alike, The Faith Tour album exists as not just a precious time capsule from a defining era of pop music but also as a celebration of one of the most iconic and frequently referenced concert tours of all time.

The Faith Tour includes live renditions of all the classic hit singles from Faith, including “Faith,” “Father Figure,” “One More Try,” and “Monkey,”, all somehow sounding fresher than ever in this unique cinematic experience, leaving the viewer with no doubt as to how the singer, and particularly Faith, has served as a key influence and reference point to a whole swathe of today’s biggest stars from Taylor Swift to Sam Smith to Harry Styles.

Faith the album was written, arranged, produced, and performed almost entirely by George Michael and marked the emergence of a new type of pop icon, an artist capable of blending soul, R&B, and rock into a sleek, emotionally driven, and singular sound which appealed to fans of all ages in all corners of the globe. Following the album’s release, George became the only British male solo artist ever to achieve four US number-one singles from a single album on the Billboard Hot 100, a record that has yet to be matched.

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TVD Radar: The Doors, Unbound And Dangerous 2LP in stores 10/23

VIA PRESS RELEASE | The Doors’ Robby Krieger and John Densmore team with the band’s longtime engineer and mixer Bruce Botnick for Unbound And Dangerous, a new double live album that revisits their 1970 Roadhouse Blues tour. Focused on hard-rocking performances, the collection sets a breathless pace, capturing The Doors at their menacing, bluesy best.

The 16-track collection arrives October 23 on CD and as a 2LP set pressed on translucent red vinyl, available HERE, Rhino.com and thedoors.com. A Blu-ray edition features Botnick’s new Dolby Atmos and high-resolution stereo (192/24) mixes. The album will also be available digitally from all DSPs.

Morrison Hotel became the Doors’ fifth consecutive Top 10 album in February 1970, reaching #4 in the U.S. and winning critical praise for its raw mix of blues and rock.

Jim Morrison, Ray Manzarek, John Densmore, and Robby Krieger hit the road in support, recording several shows along the way during the Roadhouse Blues Tour. Highlights appeared a few months later in July on Absolutely Live, the group’s first-ever live album and another Top 10 hit.

Krieger, Densmore, and Botnick sequenced Unbound And Dangerous from those recordings, which include newly remixed performances from New York City, Philadelphia, Pittsburgh, and Detroit. “Soul Kitchen” is the lone exception, coming from the second show July 21, 1969, at the Aquarius Theatre in Hollywood.

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Graded on a Curve:
The Pretenders,
Learning to Crawl

Celebrating Martin Chambers on his 75th birthday.Ed.

A couple of days ago, I found myself doing something I haven’t done (no exaggeration) in years: dancing. I dervished about the apartment all by myself, like a lunatic, with the cat looking on from the safety of the bed, wide-eyed with imminent peril. I could tell the poor puss was thinking, “What the devil is he doing?” So I cried, “Listening to The Pretenders, you hairy little fool! And dancing!”

I would not call The Pretenders a great band, per se. A very, very good band, sure. Chrissie Hynde is an excellent songwriter and has one of the most distinctive voices in rock. Unfortunately, like Badfinger, The Pretenders are just as famous for their tragically high mortality rate as they are for their music.

During the 2-year hiatus between 1981’s Pretenders II and 1983’s Learning to Crawl, Hynde saw two bandmates, guitarist James Honeyman-Scott and bassist Pete Farndon, die in drug-related deaths. Technically, Farndon was no longer a Pretender—Hynde fired him shortly before he died—but still. To paraphrase Oscar Wilde on the subject of orphans, to lose one band member is bad luck—to lose two, sheer carelessness.

Hynde, an Akron, Ohio native, formed The Pretenders in 1978 in London, England, where she was working as a journo for NME and at SEX, the legendary fashion boutique of Malcolm McLaren and Vivienne Westwood. She received a record contract on the strength of a demo recorded with a three-piece band that included Phil Taylor of Motörhead, then hired a permanent group that included Honeyman-Scott, Farndon, and drummer Martin Chambers.

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TVD Radar: The Podcast with Dylan Hundley, Episode 213: A Certain Ratio

I recently spoke with Jez Kerr and Martin Moscrop of A Certain Ratio.

Jez and Martin talked about the new recordings, becoming A Certain Ratio and the early Hacienda days along with Joy Division, plus future plans. And while they came up through Factory Records alongside all the classic acts that emerged in the late ’70s they built a sound out of funk bass, Afrobeat drums, brass, dub, and Latin percussion along with the angular edges of post-punk. This year marks two anniversaries: 45 years since they recorded Sextet, their 1982 third album that hit number one on the UK Independent Chart, and 40 years since Force, their 1986 fifth album and last for Factory.

They’re celebrating the anniversary with two companion releases, both just out via Mute. The Joy of Sextet is a new mix by Andy Meecham (The Emperor Machine), pulled from the original 1981 two-inch multitracks. Force Majeure is a nine-track set built around four-track recordings made by the late Stuart James, including an unreleased version of the title track. In October they tour the UK playing both albums in full.

You can find ACR across all social and at www.acrmcr.com. Follow along for tour dates and all A Certain Ratio happenings.

Radar features discussions with artists and industry leaders who are creators and devotees of music and is produced by Dylan Hundley and The Vinyl District. Dylan Hundley is an artist and performer, and the co-creator and lead singer of Lulu Lewis and all things at Darling Black. She co-curates and hosts Salon Lulu which is a New York based multidisciplinary performance series. She is also a cast member of the iconic New York film Metropolitan.

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Graded on a Curve:
Boris, Pink

On their landmark 2006 LP Pink, Japan’s Boris are all over the place, delving into more metal genres than you can count and topping them off with a pair of ambient tracks. It would be downright disorienting if their fallback song strategy weren’t breakneck fast and furious. And noisy. Pink has been praised for being more melodic than Boris’ previous work. Melodic, I don’t hear.

How all over the place is Boris? The genres mentioned in association with Pink include doom metal, sludge metal, stoner rock, thrash, ambient, hardcore, garage punk, garage rock, noise prog, dream pop, post-metal, and post-rock. That’s a formidable laundry list, and I don’t hear all of them. In fact, I don’t hear most of them. What I hear is a metal band with a love for thrash who like to throw mucho dissonant freak guitar into the mix.

What I also hear is an album that metal fans, especially those who love frenetic guitars, jet engine noise, and hypersonic tempos, should love. And I was pleased to discover they even have a song that reminds me of Minneapolis’s psycho noise rock band Cows.

Genres I don’t hear: Norwegian death disco, thrash folk ambient, Serbo-Canadian techno-polka, and I could go on. I also searched in vain for Donnie Osmond screamo or a speed freak post-rock cover of Pentangle’s “Let No Man Steal Your Thyme.” Boy, does lead singer Jacqui McShee have hypnotic bug eyes!

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A morning mix of news for the vinyl inclined

In rotation: 9/4/26

San Antonio, TX | Event this Sunday seeks to put South Side institution Flip Side Records on solid footing: The store, opened in 1972, was forced into a temporary shutdown this summer. Now, organizers are holding a grassroots block party to bring people back. For generations of Southsiders, Flip Side Record Parlor has served as more than a place to find new music or buy concert tickets. …After a recent closure and quiet reopening earlier this summer, the longtime independently owned record shop at 840 SW Military Drive is working to get back on its feet—and the community is stepping up to help make that happen. On the evening of Sunday, Sept. 6, local organizers Joaquin Abrego and Luna Mendoza along with DJ Chuco Garcia, will present Needles and Chrome: A Sunday Kickback. The grassroots block party is designed to bring people back through Flipside’s doors.

Boulder, CO | The Vinyl Café moves sound around surround: The Vinyl Café moved sound around the surrounding block, the difference measured in bricks rather than miles, the reason measured in space. Owner Martin Banks moved down the block and around the corner to the extra square footage he needed to boost sales and chip away at towering backstock. “I’ve got 12,000 records at home. Well, it’s down to about nine now. That we couldn’t fit in that previous building. We’d filled the entire thing,” Banks said. “My kids are getting pretty sick of it. My garage, my basement and unfortunately, a lot of my living room is just full of records.” Now at 704 Main St., customers can walk from the old location to the new one in the time it takes to open eBay on their phone.

West Allis, WI | Cosmic Sounds in West Allis: The new store offers records, pinball and film for collectors and the general public. “A record asks you to make a decision, put something on and spend time with it,” Zach Reno of Cosmic Sounds says. “The real appeal is that it gives the music some weight again. It gives the sequencing of an album a purpose again, because you can’t skip around as easily.” Milwaukee music lovers recently got another reason to be cheerful when Cosmic Sounds opened in an unassuming neighborhood in West Allis at 7415 W. Becher. St. Along with records the store also sells genre films on DVD, Blu-ray, 4K UHD and VHS, vintage stereo gear and pinball. Owner Zach Reno recently offered the lowdown on his history, thoughts on vinyl and vision for the shop.

Portland, OR | ‘You’re a dead man’: Suspect facing multiple charges after threatening Portland record store. A man was arrested last week after he allegedly tried to burn down a Portland record shop while its owner was inside. Adrian Orange, 40, was arrested Thursday on charges of first-degree attempted arson, first-degree burglary, second-degree burglary, coercion and menacing. Orange visited Vinyl Resting Place in the St. Johns neighborhood in Portland on Aug. 27 and attempted to sell some records, according to charging documents. When the store owner declined, Orange allegedly threatened to kill him and said he was a “dead man.” The record store owner said he feared for his safety so he locked the front door. Orange allegedly returned a short time later and began shoving newspaper under the front door before lighting it on fire.

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TVD Radar: Van Halen,
A Different Kind Of Truth 2LP ultra-clear vinyl in stores 10/23

VIA PRESS RELEASE | Van Halen’s final studio album, A Different Kind Of Truth, will be back in print on October 23 from Rhino on CD and as a 2LP set pressed on 180-gram vinyl in a double gatefold package.

A limited crystal-clear vinyl version will be available exclusively at participating indie retail stores and from Rhino.com. The lacquers were cut by Chris Bellman at Bernie Grundman Mastering. Pre-order here.

A Different Kind Of Truth features Eddie, Alex, and Wolfgang Van Halen and was the first original studio album with singer David Lee Roth since the band’s classic multi-platinum album 1984. Originally released on February 7, 2012, the album debuted at #2 on the Billboard 200 and received widespread acclaim from critics and fans alike.

Formed in Los Angeles in 1974, Van Halen changed the rock and roll landscape forever with the release of their self-titled 1978 debut album, displaying unparalleled stage presence, revolutionary musicianship, and extraordinary songwriting.

With more than 75 million albums sold worldwide, the band’s record of achievement is hard to top. Presented with two Diamond Award RIAA Certified Status’ for their albums Van Halen and 1984, the band has produced a repertoire of hits that remain some of the strongest and most influential rock songs ever written, which fans will admire for decades to come.

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  • SUPPORTING YOUR LOCAL INDIE SHOPS SINCE 2007


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