A morning mix of news for the vinyl inclined

In rotation: 9/12/18

Fort Collins, CO | Old Bisetti’s location gets flipped to record store in Fort Collins: In a twist of events, a former restaurant becomes a brick-and-mortar record store, as the old Bisetti’s location becomes All Sales Vinyl. Bisetti’s was a part of Old Town Fort Collins for decades, on the main drag of College Ave. While many were sad to watch the Italian joint go, it’s refreshing to see it become something else we’ve seen vanishing in recent years — an actual record store. All Sales Vinyl sells new and used records (and they will be a part of Record Store Day, according to their Facebook), CDs, novelties, ukuleles and more. All Sales Vinyl had its grand opening on September 1.

Charleston, SC | New record store opens on John Street: Charleston Music Hall concertgoers may have recently noticed a new record store a few doors down on John Street, called Record Stop (43 John St.). Opening up the week before the Charleston Music Confab hit town, the small, boutique-like shop is the second Record Stop for owner Bruce Berg, who opened up his first record store on Long Island, NY in 1974. After retiring and relocating to Charleston in 2015, Berg decided to bring the concept to his new home. Record Stop is also a family business in that Berg’s son Jeff and son-in-law Mike Gomez together run the show in NY as well as own and operate Monostereo Distribution & Record Label services, working with local names like Jump, Little Children, Stop Light Observations, Atlas Road Crew, Mark Bryan, Young Mister, and Drivin’ N Cryin’.

Sudbury, CA | Do you collect vinyl records? They may be a thing of the past for the music streaming generation, but on Sunday in Sudbury, there was a strong vinyl vibe at a music collectibles show where vendors and those looking to buy were sharing their love of LP’s. Records spinning on a turntable at the collector’s show in Sudbury helped to set a nostalgic mood. Jay Leblanc has been buying LP’s for 30 years and found some vinyl treasures he’s been looking for. “I find the whole vinyl experience the sound is better. If you have a nice vinyl with not too many scratches, it comes off through the speakers just as clean as a CD and the overall experience of having an album in your hand and the big cover with artwork.” said Leblanc.

Minneapolis, MN | Semisonic dusts off ‘Closing Time’ demo to tout 20th anniversary album reissue: It’s not the new album that the band’s members have been offering tantalizing hints of for what feels like most of the 2010s now, but Semisonic has announced plans to reissue its best-loved ‘90s record to mark its 20th anniversary. A deluxe edition of “Feeling Strangely Fine” will be released Oct. 19 with four bonus tracks and new artwork and liner notes. The repackaging will include a first-ever vinyl edition of the record, originally released at the height of the CD era in 1998. All four of the additional tracks were unreleased songs only available on overseas CD singles. Among them is the wistful hidden-gem “Long Way from Home,” which the Minneapolis trio revisited during three sold-out live performances of “Feeling Strangely Fine” at First Avenue and the Turf Club last December.

Belfast, IE | For the record . . . let’s consider some radical remedial action for city centre: In March it was reported that sales of vinyl records and CDs had, for the first time since 2011, overtaken those of digital music and streaming. It remains to be seen how sustainable that trend is but when even supermarkets are stocking classic albums in their vinyl format it is clear that the old medium has made a comeback and it looks like it is here to stay…While the digital revolution did change music shopping forever, the return of vinyl shows that trends can be reversed, and people will adapt their retail habits when the product and the marketing is right. Its a lesson the retail world would do well to apply across the board in the battle against online shopping.

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The TVD Storefront

TVD Radar: Bauhaus,
The Bela Session in stores 11/23

VIA PRESS RELEASE | Leaving Records, in partnership with Stones Throw Records, will release ‘The Bela Session’ by Bauhaus on November 23rd worldwide on vinyl and digital platforms.

‘The Bela Session’ captures the first time Bauhaus recorded together, just six weeks after forming as a band, on January 26th, 1979. This is the first release of that complete recording session featuring all five tracks, three of which are previously unreleased (all track listing information is included below). This also marks the first official reissue of the single “Bela Lugosi’s Dead” on vinyl for over thirty years, as well as the first time the studio recording will be officially available on DSPs. The audio has been newly mastered from the original analogue tape by Mandy Parnell at Black Saloon Studios (Björk, Brian Eno, Aphex Twin).

Bauhaus are a four-piece from Northampton, England, composed of Peter Murphy (vocals, occasional instruments), Daniel Ash (guitar), Kevin Haskins (drums), and David J (bass). Venerated and highly influential, the band emerged from the post-punk alternative music scene of the early ’80s with a string of innovative albums and a powerfully dramatic live presentation. Their music embodies a minimalistic gloomy style of post-punk rock driven by jagged guitar chords and cold, distant synthesizers.

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The TVD Storefront

Needle Drop:
Katie Barbato,
“The Art of Falling”

The title track to Katie Barbato’s forthcoming EP is a warm and wistful ballad, sown in the highly melodic folk style of The Beatles.

The peace-loving Philly native has an innate knack for soaring major/ minor key transitions, imbued with timely, sweet-spot lyrics and supported with rich, cinematic accompaniment. Comparisons to Neko Case and Gillian Welch are perhaps a little too obvious here, as Katie seems to carve out her own niche as a folk rock formalist who creates from a deep well of experience.

Barbato explains, “To me, ‘The Art of Falling’ concept came from the desire to go through difficult times with grace and stamina. It is not about coming out on the other side the same as you were. After a fall, you are somewhere distantly familiar but full of possibility. Let the grief and sadness move through you, honor it, and stand up tall.”

The track is accompanied by a set of rustic visuals from director Dan Collins which extrapolate upon the passage of time, catching key moments from all four seasons. It’s a perfect bucolic match to Katie’s homespun Woodstock vibe, which we could all use a little more of in our lives.

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TVD UK

UK Artist of the Week: Twist Helix

Channelling some serious new wave vibes, this week’s artist of the week is the magnificent synth-pop trio Twist Helix.

Their latest single “Graphite” is percolating with ’80s inspired electronics, reminding us instantly of Depeche Mode or New Order. Leading lady, Bea Garcia’s powerfully distinctive lead vocal however, gives the single more of a vibrant ’90s feel, sounding akin to Peaches or Ladytron’s colloquial singing style. “Graphite” is undeniably catchy from start to finish and anyone wanting to hear some nostalgic, ’80s synth sounds–with a modern twist–will not be disappointed.

This dynamic trio met as a result of Garcia leaving her home country of Spain due to the economic crisis. She found herself in Newcastle where she met James Walker (drums) and shortly after Matthew “Baz” Baron (bass). Between them, their unique blend of intelligent, narrative driven alt-pop is second to none and we’re certain this won’t be that last we’re hearing from them.

“Graphite” is taken from Twist Helix’s forthcoming album Ouseburn, in stores on 5th October 2018 via Paul Black Music.

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The TVD Storefront

Graded on a Curve: Catherine Ribeiro
+ Alpes,
N°2, Âme Debout, Paix

Formed in 1968 and active throughout the following decade, Catherine Ribeiro + Alpes combined folk, pop, psychedelia, avant-experimentation, and most distinctively of all, powerhouse vocals. With singer Ribeiro and multi-instrumentalist Patrice Moullet the only constant members, beyond the shores of their native France, they have long been a sonic delicacy too seldom heard. Anthology Recordings is doing their best to change that however, reissuing N°2Âme Debout, and Paix, their second, third, and fourth LPs respectively, both singly and as a deluxe, silk-screened box set featuring a book and photos from Ribeiro’s personal collection. It’s a laudable gesture, and it’s in stores September 14.

That N°2 is the second LP by Catherine Ribeiro + Alpes is something of a technical quibble. In 1969, via the French label Festival, there appeared Catherine Ribeiro + 2Bis, an LP featuring the vocalist-composer (to call her a singer-songwriter is simply inappropriate) backed by a Patrice Moullet-led band. Searching out the contents of the album (which casual research suggests has never been reissued) reveals it to be a solid and well (if not fully)-formed effort anticipating the sound of Ribeiro + Alpes to come.

Prior to Catherine Ribeiro + 2Bis, the singer cut a handful of singles, one for the Portuguese label Estudio and a few for the prominent French imprint Barclay. If you just took a gander at the picture sleeves of those discs, you might get the notion she was one of many chanteuse-style vocalists of the era, but that’s a little off-target, as her work during this mid-’60s period included some Dylan covers, including “It’s All Over Now, Baby Blue.”

These singles sit nicely between her eventual work with 2Bis and Alpes, and her earlier activity, which included a major part in Jean-Luc Godard’s film Les Carabiniers. Along with a similarity of vocal tone, that Ribeiro was a film actress prior to becoming a musician intensifies a similarity to Nico, though the comparisons shouldn’t be overstated.

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A morning mix of news for the vinyl inclined

In rotation: 9/11/18

Berlin, DE | The world’s best record shops #122: Bikini Waxx, Berlin: Bikini Waxx Records is a dance music destination for all tastes, opened by Gerd Tammist in 2013 alongside longtime diggers Yannik Zander and Alexander Skancke. Initially founded as an appointment-only spot in the living room and corridors of Tammist’s Berlin home, the store is curated with finesse, and while it’s been running for a number of years, it’s still one of Berlin’s best kept secrets. New and second hand funk cuts from across the African continent and Mediterranean disco from the shores of Naples line up alongside Italo and balearic gems in its racks. And if ‘ambient and mind expanding soundscapes’ aren’t you poison then fret not, because everything from Brazilian Tropicália, to psych and wonky house makes Bikini Waxx Records an adventurous staple for all tastes.

Making Vinyl Conference: RIAA To Set Updated Standards For Vinyl. We are very pleased to announce a collaboration between The RIAA (The Recording Industry Association of America), ‘MAKING VINYL’ and the Media-Tech Association with the goal of updating the standards for vinyl records. Manufacturing specifications for vinyl were last updated in 1978. The advent of new manufacturing technologies and resurgent popularity of vinyl prompted music industry leaders to review existing specifications and evaluate whether updated standards could help further advance the vinyl market. How might new standards help?

Tech me back to the 80’s: Rise in sales of nostalgic gadgets: Brits are going back to the future as retro gadgets sales soar. Vinyl sales of records show no sign of slowing down, in fact according to the most recent figures, the value of the vinyl market in the UK is now £25million. From April 1 to July 1 this year, 420,000 bought a vinyl record, up 6.6%. Vinyl’s rise has also been helped by the annual Record Store Day, more albums available and the view that vinyl is a more authentic way to listen to music. Cassette tapes had their heyday in the mid-80s onwards, before being taken over by CDs and then digital. But cassette sales grew by 90% in the first half of the UK and there’s now a Cassette Store Day on October 13. The surge has been helped by Kylie Minogue, who released 4,000 copies of her country album Golden via cassette ahead of its release. But don’t get too excited – thanks to so few albums released on tape, last year sales were only 20,000.

Lost Charles Mingus live performance set for 5xLP vinyl release: Recorded during the jazz bassist and composer’s week-long residency at Detroit’s Strata Concert Gallery in 1973. A lost recording of jazz iconoclast Charles Mingus performing with a quintet at Detroit’s Strata Concert Gallery in 1973 is set to be released by BBE and 180 Proof this November. Recorded at a short-lived performance space run by independent label Strata Records on Seldon Avenue during the early ’70s, the sessions were transmitted live by producer and broadcaster Robert “Bud” Spangler for WDET-FM radio, and feature Mingus alongside drummer Roy Brooks and trumpeter Joe Gardner (both Detroit natives), pianist Don Pullen, and the saxophonist John Stubblefield. The “lost tapes” were uncovered by DJ Amir Abdullah, who has reissued much of the succinct yet iconic Strata archive in recent years.

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TVD Los Angeles

TVD Live Shots: Scorpions with Queensryche at Five Point Amphitheatre, 9/2

I can vividly remember rocking out to the Scorpions as a 12-year-old kid in the back of the family station wagon courtesy of KCAL FM in my hometown of San Bernardino, CA. The blistering guitars of Matthias Jabs and Rudolph Schenker made drives to and from school bearable and helped create the metal monster that I am today. Fast-forward 35+ years and the Scorpions still transport me back to that childlike state—one that I am sure most fans were also in as the Scorpions took the stage in front of a sold-out Five Point Amphitheatre. This show was going to be special.

Opening the show on Sunday night was none-other than progressive rock superstars Queensryche. Fronted by Todd La Torre, the band quickly ignited a powder keg in Irvine with “Best I Can” off 1990’s triple-platinum album, Empire. Guitarists Michael Wilton and Mike Stone along with bassist Eddie Jackson and drummer Casey Grillo slayed their 9-song set and kept fans out of their seats with classics such as “Silent Lucidity,” “Jet City Woman,” and “Eyes of a Stranger.” The best song of the night was a toss-up between two Rage for Order standards, “The Whisper” and “Screaming in Digital.” La Torre’s vocals were simply incredible and brought both songs to life in a way that few vocalists can.

After a brief intermission to gather what senses had I had left, the Scorpions finally took the stage. As this could be their final tour (yes, we have heard that before), it was fitting for them to start off the show with “Going Out with a Bang.” Klaus Meine’s voice sounded spectacular (for a guy who just turned 70 in May) and showed no signs of aging as he manhandled a 16-song set that took fans on a journey across the Scorpions 50+ year history. Matthias Jabs and Rudolph Schenker killed on guitar and proved once again why they may be the best guitar tandem in rock and roll history. Add the killer bass chops from Pawel Maciwoda and Mikkey Dee’s ridiculous drumming, and you have all the ingredients for a “bucket list” show for the ages.

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TVD UK

TVD Live Shots: LA Guns at the O2 Islington, 8/31

I’ve always loved LA Guns and thought that these guys conjured up their own unique sound during an embarrassing mess of look-alike hair bands from the late ’80s. These guys were a bit more rough around the edges and had a much more raw, sort of lo-fi sound to their debut record that helped it stand out from the slick production and ridiculous lyrics of their peers. That self-titled debut album is an absolutely fucking masterpiece.

While I’ve celebrated several of the other releases from these guys, this is the one that set the bar, the one that all others shall always be compared to. The band sort of lost their way as they would split into two dueling projects and there’s not enough time in the world to discuss that saga. The good thing is that founding members Tracii Guns and Phil Lewis finally did the right thing and came together again. Even better, they made a brilliant record. A return to form for a band that everyone knew had this in them—it would just take a decade or so of bad decisions to get to this point.

The record is called The Missing Piece, and I guess you could consider it a reunion recording, but more importantly it is the first album of new material featuring both singer Phil Lewis and guitarist Tracii Guns in 15 years. Oh, and it’s bloody brilliant. But don’t take my word for it. How about the 77 plus nearly five-star reviews on Amazon, or the critics across the blogosphere praising it left and right.

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The TVD Storefront

TVD Radar: The Best
of R.E.M. at the BBC,

in stores 10/19

VIA PRESS RELEASE | R.E.M. grew up with the BBC, and this historic relationship is lovingly celebrated across an incredible collection that beautifully illustrates the career trajectory of one of modern music’s greatest bands. The collection-available as a super-deluxe edition 8-CD/1-DVD box set, as well as 2-CD, 2-LP, and digital formats-comprises a treasure trove of rare and unreleased live and studio recordings culled from the BBC and band archives. This is a must-have collection for R.E.M. fans and an authoritative introduction for newcomers.

In-studio performances featured in the 8-CD/1-DVD box set include a John Peel Session (1998), Drivetime and Mark and Lard appearances (2003) and a glorious Radio 1 Live Lounge performance (2008). Live broadcasts include a rough-and-tumble show from Nottingham’s Rock City (1984), the stunning 1995 Milton Keynes Monster Tour (their first after a six-year break), a blistering 1999 Glastonbury headline set, and an invitation-only 2004 show at London’s St James’s Church.

The DVD kicks off with a sixty-minute intimate retrospective of the band’s legendary performances at the BBC in the Accelerating Backwards film – previously broadcast only in the UK and available commercially for the first time here. Accelerating Backwards also includes revealing interviews with Peter Buck, Mike Mills, and Michael Stipe, further testifying to R.E.M.’s long, special relationship with the BBC. The DVD also offers a complete 1998 Later….With Jools Holland episode uniquely dedicated to the band, plus TV appearances on Top of the Pops and more.

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The TVD Storefront

Graded on a Curve: Lynyrd Skynyrd,
God & Guns

I’m a giant Lynyrd Skynyrd fan, but I’m not an idiot; I know damn well the greatest Southern Rock band of ‘em all played their last worthwhile gig at Greenville Memorial Auditorium just hours before their plane went down in that swamp near Gillsburg, Mississippi on October 20, 1977.

And the reason is evident to anybody with a functioning brainpan. Ronnie Van Zant wasn’t just the heart and soul of Lynyrd Skynyrd, he was The Talent, and his tragic death put paid to any notion that the band could again rise to greatness. You might as well try to recreate the Who without Pete Townshend.

But diminished or not rise from the ashes they did, and who am I to gainsay the legion of adoring fans who have faithfully followed Lynyrd Skynyrd Mark II down all the years? I never paid them much mind, although I did attend one of their shows as a writer for the Washington Post and went on to dismiss them as a meat and potatoes rock ’n’ roll band sans the meat.

For the most part we went our separate ways, Skynyrd and I–they minded their business and I minded mine. That is until I ran across a copy of their 2009 LP God and Guns and, intrigued by its take-that-pussyfooting-liberal title, decided to give it a spin. And not surprisingly, I was downright appalled. Or would have been, that is, if I didn’t have a healthy sense of humor.

This band of ringers and second stringers–by 2009, guitarist Gary Rossington and keyboardist Billy Powell were the only original members still around–goes out of its way to offend my tender sensibilities. And I have to hand it to ‘em, because they almost succeed; they love their god and they love their guns, and so far as I can tell their Jesus holds a Bible in one hand and a Smith & Wesson XVR 460 Magnum in the other. And he’s completely amenable to sending you to Heaven with it.

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A morning mix of news for the vinyl inclined

In rotation: 9/10/18

Wimborne, UK | Wimborne’s independent Square Records moves premises: A popular independent record store has moved to new premises. Square Records has relocated from 14 High Street in Wimborne to number 73. It officially opened its doors for business at its new home on Friday (AUGUST 31). The store was saved from closure earlier this year after it was taken over by staff at Gullivers Bookshop. Owner, Malcolm Angel, approached Square Records after hearing about the closure through customers at his bookshop. Square Records was opened by the Holman family in 1974 and has been in Wimborne for more than 40 years. It has kept its name and will continue to be run by current manager Rob Hoare.

Chicago, IL | ‘It’ll be a celebration’: Event at FitzGerald’s to honor Oak Park record store owner Val Camilletti: On Sept. 16, friends and colleagues who touched many parts of Val Camilletti’s life will meet up at FitzGerald’s Nightclub in Berwyn to pay tribute to the owner of Val’s Halla Records, who died July 24 after a two-year battle with breast cancer. “It will be a celebration of her life with lots of singing, lots of laughter, good food and good music,” said Andy Mead, a longtime friend who is organizing the event. “It’ll be a celebration she would have loved.” FitzGerald’s is at 6615 W. Roosevelt Road, Berwyn. “It will be an opportunity for friends and associates to gather and chat and share memories. It should be quite an event,” said Bill FitzGerald, owner of the nightclub and a longtime friend.

Bromsgrove, UK | New vinyl record stall starts up on Bromsgrove Market after positive response: The organiser of the popular vinyl record fares has now opened a stall on Bromsgrove market. Ben Frizzell from the Midlands Record Fair has become the first person to sell records in Bromsgrove High Street since Our Price closed in the early to mid 1990s. Ben said: “The day went exceptionally well and completely surpassed my expectations – countless people were asking if I was going to be there regularly so I have booked all remaining Saturdays for September with a bigger 30ft by 10ft pitch.”

Kuala Lumpur, MY | Last of a dying breed: Video may have killed the radio star, but the Internet is killing the record store industry. There used to be a dozen record shops in Ipoh and now, there are only a handful of them left. At Melody Music Centre in Yik Foong Shopping Complex in Ipoh, Edwin Suen, 59, is still selling CDs and cassettes. “It really is a sunset industry. “Business has dwindled since the availability of illegally digitised music on the Internet in 2000,” he said. “Ipoh is a relatively small market compared to Kuala Lumpur and the number of customers have shrunk by about 25% to 30%,” he said. “The 1990s was the best time for us as there were plenty of good bands and artistes,” he said, adding that he also sells band T-shirts, patches and posters. Suen said his shop has been open for more than 30 years and he would try to maintain it for as long as he could.

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TVD Los Angeles

TVD’s The Idelic Hour with Jon Sidel

Greetings from Laurel Canyon!

Waves of desire / Waves of desire on the earth / Come down to the swimming pool / I can be the one / If you can be the one / If you can be the one one / Then I can be the one…

Howdy from LA. I would say school is finally back in session, but our kid is already on week #4, in the principal’s office, and in trouble!

I’ve always had challenges with short weeks after long holidays and why shouldn’t my kids? This short week was no exception. It started out with some computer problems, and by Wednesday I felt like I was shot out of a catapult.

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The TVD Storefront

TVD Radar: Metallica,
…And Justice For All (Deluxe Box Set) reissue in stores 11/2

VIA PRESS RELEASE | Today Metallica commemorate the 30th anniversary of the release of their breakthrough fourth album …And Justice For All with the announcement of its definitive reissue, out November 2nd on the band’s own Blackened Recordings.

The re-release of …And Justice For All has been remastered for the most advanced sound quality, as overseen by Greg Fidelman, and will be available in multiple digital and physical configurations. Pre-orders begin today at www.metallica.com where fans can see the full package details and track listing. Pre-orders of all configurations will receive an instant download of “Dyers Eve (Remastered),” while pre-orders of the expanded and deluxe editions will receive an additional instant download of “Eye of the Beholder (Live at Hammersmith Odeon, London, England—October 10th, 1988).”

The …And Justice For All reissue will be available physically as a Standard Double 180 gram LP, Standard CD, 3 CD Expanded Edition, Cassette, Limited Edition Deluxe Box Set, and digitally as a Standard album (available to stream and download), an Expanded Edition (available for download only), and a Digital Deluxe Box Set (available for streaming and download).

The Expanded Edition will include previously unreleased demos, rough mixes, previously unreleased live tracks, and an expanded booklet of never-before-seen Ross Halfin photos. The one-pressing-only Limited Edition Deluxe Box Set will include the remastered double 180g LP, a “One” picture disc, 3 LPs featuring their iconic performance from Seattle in 1989 remixed by Greg Fidelman, 11 CDs, 4 DVDs, a set of four patches, a Pushead print, a tour laminate, lyric sheets, a download card for all material in the set, and a deluxe 120-page book with never-before-seen photos and never-before told stories from the people who were there.

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TVD New Orleans

The Chris Robinson Brotherhood returns
to the Joy Theater tonight, 9/7

PHOTO: JON CORNICK | It’s been just about a year since the former Black Crowes singer brought his latest ensemble to New Orleans. The Chris Robinson Brotherhood is embarking on another phase of their seemingly endless tour. This segment began last night in Pensacola and after tonight’s show at the Joy Theater, the band will criss cross the south before heading to points east and midwest before the tour concludes in mid November.

The group is ostensibly touring in support of their latest, critically acclaimed studio album, Barefoot in the Head. But this is a band that continually records and releases concert recordings.

Earlier this year, The CRB released Raven’s Reels, Vol. 1, an exclusive limited edition, 6-LP box set, for Record Store Day. It features a complete concert recording from their September 24, 2017 show at the Bijou Theatre in Knoxville, TN. That show was just over a week after their last performance in New Orleans.

Besides their extensive touring schedule, the band has already commenced work on their next studio album at Brotherhood Arts Laboratory in Unicorn, CA. “Venus In Chrome” and “The Chauffeur’s Daughter”—recent staples of CRB live sets—are among songs expected to be featured on the collection. A release date for the album has yet to be determined.

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The TVD Storefront

Talk Time,
The TVD First Date

“American pop bands were always popular in Brasil, but by the late 1980s they were ubiquitous with every youngin in São Paulo. My teenaged big sister was no exception, and had saved enough to start her own little record collection. One evening after our family dinner she grabs me and through a giant smile tells me I’m in for a treat—she’s taking me on my first trip to the record store!”

“Of course being like 5 years old if it didn’t have wheels or big muscles I simply wasn’t interested. But that sparkle in her eye told me I was going. When we arrived at the record store, my sister went about the aisles. Imported records were expensive in Brasil so she decided to pick ones she thought had good replay value; The Police’s Synchronicity, Paul McCartney’s All The Best, and Aha’s Hunting High And Low.

I on the other hand knew what I wanted the moment I saw it. Amongst the releases posted on the wall, there was one album cover clearly staring back at me—a huge stark figure stood center over the frame, his eyes had the fury of a vengeful angel, his powerful arms stretched forth, searching for justice. He didn’t quite have a Batman helmet on, but for sure he had superpowers, and I surmised also fought evil, most likely. This thing had practically picked me. Written across the cover in bold letters was what I assumed was his superhero name: AMADEUS, (Original Soundtrack Recording).

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  • SUPPORTING YOUR LOCAL INDIE SHOPS SINCE 2007


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